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October 26, 2021
Message 25th Oct Unanswered letter

I recently heard a very good talk on the issue of the trinity and I had some thoughts I wished to share but didn't wish to raise at the talk/church bible study because it might appear argumentative. I want to know if I'm on the right track .. and to be oriented better if I'm not .. so please, I delight in being wrong, it teaches me. My name is David Ball and I attend the JFC at Cabramatta and Pastor DD is a friend of mine.

My first blush reaction to the academic argument regarding John's Gospel is to throw up my hands and say it isn't that hard. Putting words into the writer’s mouth is not befitting of the learner, but instructor. In many ways, the gospels are only a reflection of how they are read and it is dangerous to overstate what is apparent, just as it is a delight to know my Lord by what he shows of himself with his word. I want to know more, but I don't want to try hard to know it. But I know I must persevere. Many things are discovered and only by discussing them are they remembered, and if we don't, then, we risk missing out with faulty tools.

My second thought is to do with biblical construction. It was written, but the writers were aware of earlier writings. So in Exodus we see Zipporah and Moses and the importance of circumcision. But the event, although described, is not described perfectly well for those who weren't there. I believe that later old testament writers were frustrated by the opaqueness of the text, and took steps to be more explicit. So we see Ezekiel disputing with God how he will cook his food.

New testament writers were also aware of the need for transparency, and clearly wrote as plainly as they could, not being raised in academic traditions generally, except for Paul, and a few others. I get the impression that people like John wrote his gospel as he spoke aloud, probably having discussed the issues many times and sermonised many times before writing it many years later. And so I feel that his words are both deliberate and accidental, related to customary usage mixing with unusual ideas the language had not developed to support.

I don't see the testimony as being sufficient to know all of God, but an imperfect reflection allowing us to walk with Him and learn from Him. But John knew Jesus and faithfully shared what he knew.

The distinctions drawn regarding omniscience, omnipotence, etc seem to me to be imposed constructions related to Greek learning and relevant to things like Physics, but not relevant to understanding God. The Bible, seems to me, to be much easier to read without the imposition of such terms. I have no doubt that Trinity, composed of the five points .. There is only one God. God the father. Jesus is God. The Holy Spirit is God. and that other one I forgot to note, is the case. But is it really such a stumbling block to understanding the text?
https://rumble.com/vaj1nd-unanswered-letter-to-a-pastor.html

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November 27, 2022
Jingle Bell Rock

Jingle bell, jingle bell, jingle bell rock
Jingle bells swing and jingle bells ring
Snowin' and blowin' up bushels of fun
Now the jingle hop has begun

Jingle bell, jingle bell, jingle bell rock
Jingle bells chime in jingle bell time
Dancin' and prancin' in Jingle Bell Square
In the frosty air

What a bright time, it's the right time
To rock the night away
Jingle bell time is a swell time
To go glidin' in a one-horse sleigh

Giddy-up jingle horse, pick up your feet
Jingle around the clock
Mix and a-mingle in the jinglin' feet
That's the jingle bell rock

Jingle bell, jingle bell, jingle bell rock
Jingle bell chime in jingle bell time
Dancin' and prancin' in Jingle Bell Square
In the frosty air

What a bright time, it's the right time
To rock the night away
Jingle bell time is a swell time
To go glidin' in a one-horse sleigh

Giddy-up jingle horse, pick up your feet
Jingle around the clock
Mix and a-mingle in the jinglin' feet
That's the jingle bell
That's the jingle bell
That's the jingle...

00:02:04
September 01, 2021
Intro to Locals for the Conservative Voice

David Daniel Ball calls himself the Conservative Voice.

I'm a teacher with three decades experience teaching math to high school kids.I also work with first graders and kids in between first grade and high school. I know the legends of why Hypatia's dad is remembered through his contribution to Math theory. And I know the legend of why followers of Godel had thought he had disproved God's existence.

I'm not a preacher, but I am a Christian who has written over 28 books all of which include some reference to my faith. Twelve blog books on world history and current affairs, detailing world events , births and marriages on each day of the year, organised by month. Twelve books on the background to and history of Bible Quotes. One Bible quote per day for a year. An intro to a science fiction series I'm planning, post apocalyptic cyber punk. An autobiography with short story collections.

I'm known in Australia for my failure as a whistleblower over the negligence death of a school boy. ...

00:01:50
December 08, 2025
Good Shepherd Blues

Listen to “The Good Shepherd Blues” once in the dark, volume low enough that you have to lean in like you’re eavesdropping on the apostle himself.
Then play it again, loud enough for the walls to shake.
When that last unresolved chord is still ringing in your chest, ask yourself:
“Who are the sheep Jesus has put in my fold right now?
Who am I willing to lay my life down for, one ordinary, painful day at a time?”
Write their names down.
Call them. Visit them. Feed them the truth, even if it costs you.
Because the Good Shepherd is still calling His sheep by name,
and tonight He might be using your cracked, trembling voice to do it.
Don’t wait for tomorrow.
The wolves never do.
Now go.
Lay it down.
The Shepherd sees.

The Good Shepherd Blues
(John’s Song – Ephesus, sometime around AD 95)
(Slow 12-bar blues in A minor – play it like an old man who’s seen too much but still got fire in his eyes)
Verse 1
I am the disciple that Jesus loved, they say
Leaned on His ...

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December 04, 2025

Beethoven’s Last Blues (John’s Gospel in D-minor)
🎹 Turn the lights down low.
Grab your oldest headphones, your darkest room, and the heaviest heart you’ve got.
Play “Beethoven’s Last Blues” once—at the volume you’re scared to use.
Let it crawl inside the silence you carry.
When the final low D fades into nothing, don’t move.
Stay there in the dark until you feel something rise up that has no sound.
That’s the Word becoming flesh in you.
That’s joy breaking through deafness.
Now pass it on.
Send it to the one who’s lost their music.
Tell them: the conversation hasn’t ended.
The Ninth is still coming.
And it’s coming for them.
Play it loud enough for the deaf to hear.
Because joy was made to outrun silence.
#BeethovensLastBlues #TheWordBecameFlesh

Woke up this mornin’, world gone black as coal,
Ears full of silence, Lord, it done swallowed my soul.
Fingers still dancin’ on keys that don’t speak no more,
Hammer and string keep lyin’, like a lover walkin’...

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December 01, 2025
Picking Cotton 2

Stand with the Blue: Honor Nicola Cotton, Learn from Redfern
Imagine a young officer, full of promise, gunned down in broad daylight—her only "crime" was stepping up to protect her community. That's the heartbreaking reality of Nicola Cotton, the 24-year-old New Orleans policewoman murdered in 2008 while trying to arrest a suspect. Eight weeks pregnant, she was shot 15 times with her own service weapon by a man with a history of severe mental illness who had been prematurely released from care. Her death wasn't just a loss for Louisiana; it exposed raw cracks in our systems—mental health failures, under-resourced patrols, and the relentless dangers officers face in high-risk neighborhoods.
Now fast-forward to Sydney's Redfern riots of 2004, half a world away. A 17-year-old Indigenous teen, TJ Hickey, dies in a tragic bike accident during what police called a routine patrol—but his community saw it as yet another flashpoint in a cycle of distrust, poverty, and ...

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Ballad of Jampijinpa: A Warlpiri Dreamtime Bambi in the Tanami Desert
improved marketing on Rumble
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Journey to the Tanami Desert with the Ballad of Jampijinpa, a Warlpiri Jukurrpa retelling of Bambi. Follow Jampijinpa, a young red kangaroo, as he learns the sacred laws of his Country from Napangardi, faces dangers like the machine’s shadow, and rises as a leader under the Seven Sisters’ stars. This Dreamtime story celebrates Warlpiri culture, resilience, and connection to the land. Comment your favorite Indigenous story below! Subscribe for more Warlpiri tales and join my Locals for exclusive Jukurrpa insights.
The story of Bambi is, for many, their first encounter with profound loss. Writing this story in Warlpiri Dreamtime, Tanami Desert context. Loss is part of life, yet life goes on. But, a good life, serving the community is also important. How do Indigenous stories like Jampijinpa’s inspire you?
 
Notes on the Adaptation: Setting and Characters: The Tanami Desert replaces the forest, with native animals (red kangaroo, dingo, mallee fowl, perentie) as characters, reflecting the local ecology. Warlpiri skin names (Jampijinpa, Napangardi, etc.) root the characters in kinship systems, central to Warlpiri identity. Jukurrpa: The Dreamtime frames the story as a sacred narrative, where loss and growth are part of the land’s law. The “shadow” (a machine) nods to modern intrusions like mining, a real threat in the Tanami, but keeps the story timeless. Themes: Bambi’s coming-of-age becomes a journey of learning country and law, emphasizing Warlpiri values of responsibility and connection. The mother’s death and the fire echo Bambi’s trials but are grounded in desert realities. Cultural Respect: I avoided inventing sacred details or mimicking restricted Warlpiri stories, focusing on universal elements (land, kinship, survival) informed by public Warlpiri narratives, like those shared in art or ethnographies.
 
The Ballad of Jampijinpa In Tanami’s heart where the spinifex sways, ‘Neath the Jukurrpa’s first starlit blaze, The ancestors carved from the red desert’s hand, Young Jampijinpa, to guard sacred land.
Chorus: Oh, Jampijinpa, with bounds swift and free, Carry the law of your country’s decree. Through sand and through sorrow, your spirit will roam, In the Tanami’s dreaming, you’ll always find home.
Napangardi taught him the desert’s old ways, Where soakages shimmer through blistering days. The bilby’s soft tracks led to yams in the ground, And the wind whispered tales when no rain could be found. With Jangala, dingo, he leaped o’er the plain, While Nungarrayi tidied the earth’s ancient pain. The oaks sang of patience, the elders stood near, Their ochre-lit eyes guiding young kangaroo’s fear. But dawn brought a shadow, a roar cold as stone, A machine’s cruel hunger tore flesh from the bone. Napangardi fell, her spirit took flight, To the ancestors’ campfire in the starwoven night.
Chorus: Oh, Jampijinpa, with bounds swift and free, Carry the law of your country’s decree. Through sand and through sorrow, your spirit will roam, In the Tanami’s dreaming, you’ll always find home.
Alone, he wandered, his heart like a stone, The sand stung his eyes, and the silence did moan. But Japangardi rose, scales gleaming bright, “You’re never lost, son, in the Jukurrpa’s light.” The bilby taught digging, the oak whispered peace, Nungarrayi scratched paths where the stories increase. Jangala’s yips brought a laugh to the blaze, And Jampijinpa grew strong through the desert’s hard days. Then Nakamarra, with dawn in her gaze, Danced by his side through the sandhills’ soft maze. But fire returned, born of shadow’s old sin, Yet Jampijinpa led kin to the soakage within.
Chorus: Oh, Jampijinpa, with bounds swift and free, Carry the law of your country’s decree. Through sand and through sorrow, your spirit will roam, In the Tanami’s dreaming, you’ll always find home.
Atop the red dune, his shadow stretched far, A keeper of law ‘neath the desert’s bright star. The elders now sing from their camp in the sky, And Jampijinpa’s tracks never fade, never die.
Final Chorus: Oh, Jampijinpa, your story’s been spun, A thread in the Jukurrpa, forever begun. The Tanami dreams, and its stars softly call, For the kangaroo’s heart that will never grow small.
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