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oDDBall analysis of conservative politics with a libertarian economic conservative twist. Small government, big freedom.
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October 31, 2021
On this day, 30th Oct 2016

IPA Review features “Soviet Cybernetics” A Daniel Wild review of “How Not to Network a Nation: The Uneasy History of the Soviet Internet” by Benjamin Peters. The former Soviet Union attempted to install a computer network to overcome her planning problems. The network was of the type that Turnbull might have headed, without effecting change. It wasn’t technically feasible back in the day, but became so towards the end. But the network couldn’t be implemented from above in the effective way the West has implemented one through free commerce. When the West has diverged from the classic model, it has failed, like with NBN today, where a housing estate in central Melbourne’s Dandenong requires satellite to access the internet, or a special deal with Telstra for copper wire. The housing estate is about ten years old, and so will be the last place wired up.

The Soviets had planning tsars who felt threatened by a communications device which might supplant their expertise, and they opposed the monolith. Australia has much to learn from that as they build a monolith through central government. Commercial carriers can do it better in urban landscapes. But the outback needs the infrastructure and Government should provide it there.

One person who knows how to profit from central planning is Hillary Clinton. The Chicago Tribune is withdrawing support from her, and suggesting that Democrats replace Hillary. But corrupt news, like the Tribune, knew everything now known about Hillary as they supported her a day ago. Maybe they are only backing a tribe, but not a policy? And Maybe they want to find another crook.

Donald Trump's speech at Gettysburg is frightening media. They have supported and protected insider corruption for a long time. Trump will clean up the festering wound, and make America great again.

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00:01:07
November 27, 2022
Jingle Bell Rock

Jingle bell, jingle bell, jingle bell rock
Jingle bells swing and jingle bells ring
Snowin' and blowin' up bushels of fun
Now the jingle hop has begun

Jingle bell, jingle bell, jingle bell rock
Jingle bells chime in jingle bell time
Dancin' and prancin' in Jingle Bell Square
In the frosty air

What a bright time, it's the right time
To rock the night away
Jingle bell time is a swell time
To go glidin' in a one-horse sleigh

Giddy-up jingle horse, pick up your feet
Jingle around the clock
Mix and a-mingle in the jinglin' feet
That's the jingle bell rock

Jingle bell, jingle bell, jingle bell rock
Jingle bell chime in jingle bell time
Dancin' and prancin' in Jingle Bell Square
In the frosty air

What a bright time, it's the right time
To rock the night away
Jingle bell time is a swell time
To go glidin' in a one-horse sleigh

Giddy-up jingle horse, pick up your feet
Jingle around the clock
Mix and a-mingle in the jinglin' feet
That's the jingle bell
That's the jingle bell
That's the jingle...

00:02:04
September 01, 2021
Intro to Locals for the Conservative Voice

David Daniel Ball calls himself the Conservative Voice.

I'm a teacher with three decades experience teaching math to high school kids.I also work with first graders and kids in between first grade and high school. I know the legends of why Hypatia's dad is remembered through his contribution to Math theory. And I know the legend of why followers of Godel had thought he had disproved God's existence.

I'm not a preacher, but I am a Christian who has written over 28 books all of which include some reference to my faith. Twelve blog books on world history and current affairs, detailing world events , births and marriages on each day of the year, organised by month. Twelve books on the background to and history of Bible Quotes. One Bible quote per day for a year. An intro to a science fiction series I'm planning, post apocalyptic cyber punk. An autobiography with short story collections.

I'm known in Australia for my failure as a whistleblower over the negligence death of a school boy. ...

00:01:50
Holiday break is over back to work tonight

Tonight I'll start double posting until I've caught up.

Chinese Space Bio Labs

While Elon Musk is busy landing reusable rockets and building robot swarms on Earth, the CCP has gone full 'Musk but make it bioweapons': they're launching fleets of Starship-inspired rockets crewed by copycat Optimus robots, blasting 'Fau Chi' biolabs straight into Low Earth Orbit.

These gleaming orbital stations, proudly emblazoned with the Chinese characters 福奇 (Fú Qí — sounding suspiciously like 'Fau Chi'), are officially designated as The Science™ Research Facilities. Perfect for safe, ethical gain-of-function experiments on exciting new pathogens like TDS (Trump Derangement Syndrome), 'Last Millennia' nostalgia plagues, and the deadly 'We Are Living in 2026' variant.

The endgame? A billion trusting parents worldwide voluntarily neutering their own children on expert 'Fau Chi' advice from the heavens — because nothing says 'public health' like taking guidance from a floating Chinese biolab with reusable re-entry capabilities.

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Editorial from 2018 for June 9th

Don't give up on hope. Western Civilisation is on the nose of universities in Australia. Sydney University collapsed in 1990, and her upper executive got replaced by ALP managerialists as Keating fought a culture war which the Liberal Party have not effectively engaged. Dame Kramer had been made Chancellor, but the Chancellor's position is not executive at Sydney University. Kramer fought effectively for Western Values, but the University, now, is as partisan left as the ABC is now. Kramer had been a powerful presence in charge of the ABC too. 

In 1990, Sydney University lost her Chancellor and Vice Chancellor. The Chancellor, Hermann David Black, died after a long illness. James Anthony Rowland, a former governor of NSW took the chancellor's position for a few years, before passing it to Kramer in 1991. She held on to 2001. From 1981 to 1990, John Manning Ward was the executive head of Sydney University as Vice Chancellor. He had been writing a trilogy on Australian conservative leaders ...

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American Greatness Exemplified by the United States Marine Corps
Semper Fi

Editorial: American Greatness Exemplified by the United States Marine Corps

In the annals of military history, few institutions embody the spirit of American resolve, ingenuity, and unyielding commitment to liberty like the United States Marine Corps. From its founding on November 10, 1775, the Marines have stood as sentinels of freedom—first to fight, always faithful, and forever guardians of the nation's honor. Their story is not merely one of battles won but of American greatness forged in fire: a testament to citizen-soldiers who crossed oceans, stormed beaches, and raised the Stars and Stripes amid the chaos of war, proving time and again that the American experiment produces men and women of extraordinary courage.

The Marine Corps Hymn captures this ethos perfectly. Its stirring verses—"From the Halls of Montezuma to the Shores of Tripoli"—trace a legacy of global service, referencing the 1847 Battle of Chapultepec in the Mexican-American War and the 1805 Battle of Derna in the First Barbary War. The hymn declares: "We fight our country's battles / On the land as on the sea. / First to fight for right and freedom / And to keep our honor clean." It concludes with a bold claim of eternal vigilance: if the Army and Navy ever reach heaven, "They will find the streets are guarded / By United States Marines." Born from 19th-century traditions and set to music with roots in European opera, the hymn is more than a song—it is a creed of expeditionary excellence and proud independence.

The Corps' greatest successes began in the fires of the American Revolution. Authorized by the Continental Congress, the Continental Marines conducted early amphibious raids, including the daring 1776 assault on Nassau in the Bahamas—the first of its kind for American forces. Disbanded after independence, they were reborn in 1798, proving their enduring value in a young republic wary of standing armies.

Throughout the 19th century, Marines honed their reputation in expeditionary operations. The Barbary Wars secured American commerce against piracy, while actions in Mexico and beyond extended U.S. influence. But it was the 20th century that showcased their evolution into masters of modern warfare.

In World War I, the Battle of Belleau Wood (1918) saw Marines earn the fearsome German nickname "Devil Dogs" through ferocious close-quarters combat that helped blunt a major enemy offensive. Their stand exemplified American doughboys' arrival as a decisive force on the Western Front.

World War II became the Corps' defining epic. Marines led the Pacific island-hopping campaign, turning the tide against Imperial Japan through unprecedented amphibious operations. From Guadalcanal—the first major U.S. offensive, which stopped Japanese expansion—to the brutal fights at Tarawa, Saipan, and Okinawa, Marines adapted, innovated, and prevailed against a fanatical foe.

Iwo Jima stands as a harrowing monument to their sacrifice and a stark preview of what invading the Japanese home islands would entail. In February-March 1945, roughly 70,000 Marines assaulted a heavily fortified 8-square-mile volcanic rock. Nearly 7,000 Americans were killed and over 20,000 wounded in 36 days of hellish fighting against dug-in defenders. The iconic flag-raising on Mount Suribachi, captured by photographer Joe Rosenthal, became an enduring symbol of American determination. Iwo Jima provided critical airfields for B-29 bombers and emergency landings, saving thousands of airmen—but its cost underscored the nightmare awaiting a full invasion of Japan (Operation Downfall). Japanese forces, fighting on their own soil with civilian mobilization, would have inflicted catastrophic casualties.

Japan absorbed the devastation of two atomic bombs—Hiroshima on August 6 and Nagasaki on August 9, 1945—yet held out until the Soviet Union's declaration of war and invasion of Manchuria shattered any remaining strategic hopes. The Emperor's surrender announcement on August 15 followed this dual shock, averting what could have been history's bloodiest invasion. The Marines' valor at Iwo Jima and elsewhere bought the time and positioning that helped force that outcome without the projected million-plus Allied casualties.

Subsequent successes in Korea (notably the Chosin Reservoir breakout), Vietnam, the Gulf War (liberating Kuwait), and operations in Iraq and Afghanistan further demonstrated the Corps' versatility—from conventional battles to counterinsurgency and rapid crisis response. Their ability to project power globally has repeatedly advanced American ideals of freedom and deterred aggression.

The Marine Corps exemplifies American greatness not through conquest for its own sake, but through disciplined force in service of higher principles: defending the homeland, protecting allies, and upholding a republic where individual liberty and collective resolve triumph over tyranny. In an era of uncertainty, the Few and the Proud remind us what disciplined, courageous Americans can achieve. They do not seek glory, but they earn it daily. Semper Fi.

From the Halls of Montezuma to distant shores today, the Marines continue to guard the frontiers of freedom.

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Socialism Before Marx and the Springtime of Discontent
The Cultural Undercurrents of 1848

The Cultural Undercurrents of 1848: Socialism Before Marx and the Springtime of Discontent

In the tumultuous year of 1848, Europe erupted in a cascade of revolutions—not a coordinated socialist uprising orchestrated from some shadowy international headquarters, but a series of remarkably similar upheavals born from shared grievances and a swelling tide of ideas. The Communist Manifesto appeared in February, yet the intellectual and emotional groundwork for these events had been laid decades earlier, as the Industrial Revolution upended traditional societies, creating new wealth alongside profound misery. Socialism, in its various forms, predated Marx and Engels by generations.

Long before "scientific socialism," utopian thinkers like Henri de Saint-Simon, Charles Fourier, and Robert Owen envisioned cooperative communities, worker rights, and critiques of unchecked capitalism. These "utopian socialists" highlighted exploitation in factories and proposed harmonious alternatives—phalansteries, model villages, and moral reforms. Earlier still, figures like Gerrard Winstanley and Enlightenment radicals planted seeds of communal ownership and equality. Mary Wollstonecraft, with her bold bohemian life and A Vindication of the Rights of Woman (1792), challenged hierarchies of gender and class, appealing to a new reading public hungry for radical reform. Her ideas resonated with an emerging press eager to amplify voices against the old order.

This cultural ferment extended far beyond politics. Writers such as Charles Dickens exposed the grim realities of industrial England in Oliver Twist and Hard Times. George Eliot probed moral and social dilemmas, while Alexandre Dumas, Fyodor Dostoevsky, Leo Tolstoy, and Anton Chekhov—each in their national contexts—wrestled with inequality, human suffering, and the clash between tradition and modernity. Artists, architects, and musicians joined the chorus: Romanticism glorified emotion and the common people, while realist depictions of labor and poverty stirred consciences. These creators, whether naive idealists or jaded agitators, pointed toward systemic change. International currents of literature, art, and history created a shared atmosphere of expectation, where every visible injustice—from urban slums to rural enclosures—seemed solvable through upheaval.

Yet, as the barricades rose from Paris to Vienna, Berlin to Budapest, one truth stands clear: correlation is not causation, and not every demand for change yields a solution. The 1848 revolutions shared triggers—economic crisis, liberal demands for constitutions, nationalist aspirations, and working-class discontent—but lacked central direction. They were parallel responses to the stresses of modernization, not a unified proletarian wave. Coalitions of middle-class liberals, nationalists, and radicals quickly fractured when the "social question" threatened property or order. In France, the June Days exposed the rift between bourgeois reformers and socialist-leaning workers. Elsewhere, monarchies regrouped with repression.

Ireland's struggles exemplified home-grown separatism amid broader unrest. The Great Famine's horrors were real and devastating, but the persistent narrative blaming it solely on deliberate London maladministration remains a monstrous oversimplification, often invoked for political ends even today. Crop failure hit a potato-dependent population hard, exacerbated by economic structures and governance failures common across Europe—not unique malice.

The revolutions' immediate failures masked deeper shifts. Within forty years, Italy and Germany forged new national identities through unification, reshaping the map. Austria-Hungary maneuvered amid great-power rivalries, eyeing Russia with suspicion. The cultural and intellectual forces unleashed in 1848—liberalism, nationalism, and socialism in its many guises—continued reshaping Europe, for better and worse.

We must remember: the desire for social change springs eternal from genuine problems. Industrialization's dislocations, feudal remnants, and political exclusions were no fiction. But romanticizing every agitator or equating systemic critique with infallible remedies risks repeating history's cycles of hope and disillusionment. True progress demands discernment—distinguishing reform that builds from upheaval that destroys. The Springtime of 1848 reminds us that while ideas may sweep like a contagion across borders, their harvest depends on wisdom, not mere fervor.

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Tom Baker's Voice and Presence
How One Doctor Made Every Story Unforgettable

Tom Baker's Voice and Presence: How One Doctor Made Every Story Unforgettable

In Doctor Who, the Doctor has always been a storyteller at heart — a wanderer who turns chaos into meaning. But few incarnations have embodied that gift quite like Tom Baker’s Fourth Doctor. His booming, sonorous voice and magnetic, larger-than-life presence didn’t just deliver lines; they transformed them. Even the most ordinary plot beat or alien exposition became riveting theatre. For seven seasons (1974–1981), Baker didn’t merely play the Doctor — he became the show’s beating heart, its moral compass, its clown, and its crusader all at once.

From Liverpool Monk to Time Lord

Born Thomas Stewart Baker on 20 January 1934 in Liverpool, his early life was anything but ordinary. Raised in a devout Catholic household by a barmaid mother while his sailor father was often away, young Tom left school at 15 to train as a novice monk with the La Mennais Brothers in Jersey and later Shropshire. Six years of monastic discipline gave him a gravitas and vocal presence few actors could match. When faith faded and authority chafed, he left for national service in the Royal Army Medical Corps (Germany), then discovered acting through amateur dramatics. After studying at Rose Bruford College of Speech and Drama, he entered the profession late, working provincial rep and joining the National Theatre in 1968.
His breakthrough came in 1971 as the hypnotic Rasputin in Nicholas and Alexandra — a role that showcased the intense eyes, commanding stature, and rich voice that would soon define an alien Time Lord. Supporting turns followed (The Canterbury Tales, The Golden Voyage of Sinbad), but between jobs he laboured on building sites as a brick hauler. Then, in 1974, while seeking work, he was recommended to Doctor Who producer Barry Letts. The rest is legend.

The Baker Era: Seven Seasons of Wonder, Horror, and Wit

Baker debuted in Robot (broadcast late December 1974), immediately establishing the bohemian wanderer with wild curls, floppy hat, endless multicoloured scarf (a costume serendipity that became iconic), and pockets forever offering jelly babies. His first companions were the fearless journalist Sarah Jane Smith (Elisabeth Sladen, carrying over from Jon Pertwee) and the well-meaning but often out-of-his-depth UNIT surgeon Harry Sullivan (Ian Marter).
Early stories like Genesis of the Daleks revealed Baker’s gift for moral complexity — the Doctor hesitating over genocide, his voice thick with anguish and ethical weight. Under producer Philip Hinchcliffe, seasons 13–14 leaned into gothic horror: mummies in Pyramids of Mars, body horror in The Seeds of Doom, Frankenstein echoes in The Brain of Morbius. Baker’s towering presence and vocal range made the scares land harder; his warmth made the companions’ terror feel personal.
Sarah Jane departed after The Hand of Fear (season 14). Leela (Louise Jameson), the fierce Sevateem warrior, brought raw physicality and culture-clash humour that contrasted beautifully with the Doctor’s eccentric intellect. K9 the tin dog arrived in The Invisible Enemy (season 15), adding loyal comic relief. Leela and K9 eventually stayed behind on Gallifrey after The Invasion of Time.
The Graham Williams years (seasons 15–17) lightened the tone with Douglas Adams as script editor. The Key to Time arc (season 16) paired Baker with Romana (Mary Tamm, later regenerating into Lalla Ward — whom Baker briefly married in real life). Stories like The Pirate Planet and the Paris-set City of Death (one of the highest-rated Doctor Who stories ever, with 16+ million viewers) showcased Baker’s impeccable comic timing and improvisational sparkle. His voice could shift from booming authority to impish delight in a single breath.
Season 18 under John Nathan-Turner grew more sombre and scientific. Adric (Matthew Waterhouse), the mathematically gifted Alzarian youth, joined in Full Circle during the E-Space arc. Nyssa (Sarah Sutton) of Traken and Australian air stewardess Tegan Jovanka (Janet Fielding) completed the final TARDIS crew. Baker’s Doctor grew more melancholy, confronting entropy itself in the haunting finale Logopolis — falling from the Pharos Project radio telescope as the Watcher (his future self) appeared. His last words — “It’s the end… but the moment has been prepared for…” — remain among the most poignant in the show’s history.

Anniversary Echoes

Baker declined a full return for the 20th-anniversary special The Five Doctors (1983), feeling it too soon after leaving. Cleverly, unbroadcast footage from the unfinished Douglas Adams story Shada (punting on the Cam, TARDIS departure) was woven in. He made a limited cameo in the 1993 charity crossover Dimensions in Time.
Most memorably, in the 50th-anniversary episode The Day of the Doctor (2013), Baker appeared uncredited as the Curator — an older gentleman in the National Gallery who has “revisited” his favourite incarnation. The quiet, wise conversation with Matt Smith’s Doctor was pure magic: Baker’s voice still unmistakable, his presence radiating warmth, mischief, and hard-won perspective. It felt like the Doctor himself affirming that some faces — and some eras — are worth returning to.

The Enduring Legacy

Tom Baker’s contributions to Doctor Who are immeasurable. He holds the record for longest-serving lead actor (172 episodes across seven seasons) and turned the Doctor into a 1970s cultural phenomenon. The scarf, the jelly babies, the booming “Would you care for a jelly baby?”, the sudden shifts from clown to avenging angel — these became shorthand for the character itself. His voice, voted one of the most recognisable in Britain, elevated every script. His physical presence — tall, eyes blazing with curiosity or fury — made companions’ journeys feel vital and every threat feel real.
Later, as narrator of Little Britain, voice artist extraordinaire, and prolific Big Finish audio Doctor (continuing adventures for years), Baker kept the magic alive. Recent honours, including an MBE, recognise a lifetime of entertainment that began with a monk’s discipline and a bricklayer’s grit.
In the end, Tom Baker proved that a distinctive voice and commanding presence don’t just tell stories — they make them unforgettable. He gave Doctor Who its most iconic visual and vocal identity, balanced horror with heart, and left a template of eccentric heroism that still echoes through every regeneration. For millions of us who grew up with that scarf flapping in the wind and that voice booming across time and space, Baker is the Doctor — the one who made the universe feel a little bigger, a little stranger, and infinitely more interesting.
Ahhh… excellent.
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