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November 09, 2021
On this day, 9th Nov 2016

So many said that Trump being President was not possible, and something to be feared. They even said Hillary Clinton was a “Safe pair of hands.” Tonight in Australia, the safe pair of hands refused to let the people who supported her know that their fire works party was to be cancelled because she lost. USA have voted in a GOP administration with authority not seen since 1928, when Hoover had both houses of congress and a well run economy. Only Trump does not have a well run economy. A few measures will fix much. Ending AGW hysteria and promoting cheap energy will unleash USA manufacturing. Jobs can be given to her young, and growth which has not been seen since Reagan can be realised. Bad trade agreements can be fixed, or torn up. The US military can be made strong again. Deals can be done with Russia and China that make things better for all. And the terrible swamp of corruption can be drained.

Questions need to be asked as to why the press in Australia and US were so badly wrong about this landmark result. CNN had six heckling one in their pre election examination of situations. Outright lies were called analysis as it was said that Hispanics disliked Trump, Blacks feared Trump and women were disgusted by Trump. Yet many living voters who voted for Trump were black, women or hispanic. Voter corruption was apparent and yet there had been substantial opposition to prevent voter fraud. In Australia, Along with the PM, Foreign Minister, Opposition Leader, Greens Leader, Laurie Oakes, Neil Mitchell, Bob Carr, Kristina Keneally and many, many of the media were dead wrong in their analysis at basic levels. And they will not let people replace them who had been right. I was right. I predicted Trump would win in these circumstances months ago. I would like to thank others who advised me and helped me arrive at my conclusions which seem so prescient now. Eric Golub, J Fo, Andy Tran and also the apparently misguided Andrew Bolt, Tim Blair, Piers Akerman, IPA, and Miranda Devine who didn’t get it right, but who asked the right questions.

IPA Review features a Lorraine Finlay, Joshua Forrestor, and Augusto Zimmermann article “The Sound of Constitutional Silence” about the history of section 18c of the Racial Vilification Act of Australia 1975. The section is illiberal and incommensurate with a free society. However, it has existed for forty one years and has been largely unused. It has been applied poorly and those in authority have not demonstrated the level of judgement expected of them. Largely, the abusers have been cheered on by the illiberal members of the press and various left wing political parties. But there is a basis for saying that the actual legislation is unconstitutional, or at best, a terrible burden on Democracy. At times, partisan left wingers have realised the danger of the bad law. Members of the press have recognised the dangers posed to free society. But right now, while the leadership of the conservatives is so weak under Malcolm Turnbull, it is convenient for left wing leaders not to care about the damage being done to cultural assets.

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November 27, 2022
Jingle Bell Rock

Jingle bell, jingle bell, jingle bell rock
Jingle bells swing and jingle bells ring
Snowin' and blowin' up bushels of fun
Now the jingle hop has begun

Jingle bell, jingle bell, jingle bell rock
Jingle bells chime in jingle bell time
Dancin' and prancin' in Jingle Bell Square
In the frosty air

What a bright time, it's the right time
To rock the night away
Jingle bell time is a swell time
To go glidin' in a one-horse sleigh

Giddy-up jingle horse, pick up your feet
Jingle around the clock
Mix and a-mingle in the jinglin' feet
That's the jingle bell rock

Jingle bell, jingle bell, jingle bell rock
Jingle bell chime in jingle bell time
Dancin' and prancin' in Jingle Bell Square
In the frosty air

What a bright time, it's the right time
To rock the night away
Jingle bell time is a swell time
To go glidin' in a one-horse sleigh

Giddy-up jingle horse, pick up your feet
Jingle around the clock
Mix and a-mingle in the jinglin' feet
That's the jingle bell
That's the jingle bell
That's the jingle...

00:02:04
September 01, 2021
Intro to Locals for the Conservative Voice

David Daniel Ball calls himself the Conservative Voice.

I'm a teacher with three decades experience teaching math to high school kids.I also work with first graders and kids in between first grade and high school. I know the legends of why Hypatia's dad is remembered through his contribution to Math theory. And I know the legend of why followers of Godel had thought he had disproved God's existence.

I'm not a preacher, but I am a Christian who has written over 28 books all of which include some reference to my faith. Twelve blog books on world history and current affairs, detailing world events , births and marriages on each day of the year, organised by month. Twelve books on the background to and history of Bible Quotes. One Bible quote per day for a year. An intro to a science fiction series I'm planning, post apocalyptic cyber punk. An autobiography with short story collections.

I'm known in Australia for my failure as a whistleblower over the negligence death of a school boy. ...

00:01:50

Beethoven’s Last Blues (John’s Gospel in D-minor)
🎹 Turn the lights down low.
Grab your oldest headphones, your darkest room, and the heaviest heart you’ve got.
Play “Beethoven’s Last Blues” once—at the volume you’re scared to use.
Let it crawl inside the silence you carry.
When the final low D fades into nothing, don’t move.
Stay there in the dark until you feel something rise up that has no sound.
That’s the Word becoming flesh in you.
That’s joy breaking through deafness.
Now pass it on.
Send it to the one who’s lost their music.
Tell them: the conversation hasn’t ended.
The Ninth is still coming.
And it’s coming for them.
Play it loud enough for the deaf to hear.
Because joy was made to outrun silence.
#BeethovensLastBlues #TheWordBecameFlesh

Woke up this mornin’, world gone black as coal,
Ears full of silence, Lord, it done swallowed my soul.
Fingers still dancin’ on keys that don’t speak no more,
Hammer and string keep lyin’, like a lover walkin’...

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December 01, 2025
Picking Cotton 2

Stand with the Blue: Honor Nicola Cotton, Learn from Redfern
Imagine a young officer, full of promise, gunned down in broad daylight—her only "crime" was stepping up to protect her community. That's the heartbreaking reality of Nicola Cotton, the 24-year-old New Orleans policewoman murdered in 2008 while trying to arrest a suspect. Eight weeks pregnant, she was shot 15 times with her own service weapon by a man with a history of severe mental illness who had been prematurely released from care. Her death wasn't just a loss for Louisiana; it exposed raw cracks in our systems—mental health failures, under-resourced patrols, and the relentless dangers officers face in high-risk neighborhoods.
Now fast-forward to Sydney's Redfern riots of 2004, half a world away. A 17-year-old Indigenous teen, TJ Hickey, dies in a tragic bike accident during what police called a routine patrol—but his community saw it as yet another flashpoint in a cycle of distrust, poverty, and ...

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November 28, 2025
Hillary's Restaurant via GaryDubya

Back when Hillary was running for President, I re-wrote the lyrics to "Alice's Restaurant" and changed it to "Hillary's Restaurant". The refrain goes like this...

You'll believe anything you want
At Hillary's Restaurant
Walk right in, it's around the back
Keep your head low in case of sniper attack!

[That was a reference to Hillary making up a story about being under sniper attack at an airport in Bosnia.]

The rest of the song references her email servers, Vince Foster, the income tax, etc. @Garydubya ? on America's Untold Stories posted
I used that for prompts.
Hillary’s Restaurant
(Upbeat synth-pop bop, 128 BPM, glittery yet slightly ominous)

[Verse 1]
Neon sign flickers on a dead-end street
Past the alley where the secrets meet
No reservations, no cover charge
Just slide through the kitchen, try not to look too large
The waitress smiles with those shark-bright eyes
Says “Order anything, baby, truth is extra size”

[Pre-Chorus]
You can believe anything you ...

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Ballad of Jampijinpa: A Warlpiri Dreamtime Bambi in the Tanami Desert
improved marketing on Rumble
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Journey to the Tanami Desert with the Ballad of Jampijinpa, a Warlpiri Jukurrpa retelling of Bambi. Follow Jampijinpa, a young red kangaroo, as he learns the sacred laws of his Country from Napangardi, faces dangers like the machine’s shadow, and rises as a leader under the Seven Sisters’ stars. This Dreamtime story celebrates Warlpiri culture, resilience, and connection to the land. Comment your favorite Indigenous story below! Subscribe for more Warlpiri tales and join my Locals for exclusive Jukurrpa insights.
The story of Bambi is, for many, their first encounter with profound loss. Writing this story in Warlpiri Dreamtime, Tanami Desert context. Loss is part of life, yet life goes on. But, a good life, serving the community is also important. How do Indigenous stories like Jampijinpa’s inspire you?
 
Notes on the Adaptation: Setting and Characters: The Tanami Desert replaces the forest, with native animals (red kangaroo, dingo, mallee fowl, perentie) as characters, reflecting the local ecology. Warlpiri skin names (Jampijinpa, Napangardi, etc.) root the characters in kinship systems, central to Warlpiri identity. Jukurrpa: The Dreamtime frames the story as a sacred narrative, where loss and growth are part of the land’s law. The “shadow” (a machine) nods to modern intrusions like mining, a real threat in the Tanami, but keeps the story timeless. Themes: Bambi’s coming-of-age becomes a journey of learning country and law, emphasizing Warlpiri values of responsibility and connection. The mother’s death and the fire echo Bambi’s trials but are grounded in desert realities. Cultural Respect: I avoided inventing sacred details or mimicking restricted Warlpiri stories, focusing on universal elements (land, kinship, survival) informed by public Warlpiri narratives, like those shared in art or ethnographies.
 
The Ballad of Jampijinpa In Tanami’s heart where the spinifex sways, ‘Neath the Jukurrpa’s first starlit blaze, The ancestors carved from the red desert’s hand, Young Jampijinpa, to guard sacred land.
Chorus: Oh, Jampijinpa, with bounds swift and free, Carry the law of your country’s decree. Through sand and through sorrow, your spirit will roam, In the Tanami’s dreaming, you’ll always find home.
Napangardi taught him the desert’s old ways, Where soakages shimmer through blistering days. The bilby’s soft tracks led to yams in the ground, And the wind whispered tales when no rain could be found. With Jangala, dingo, he leaped o’er the plain, While Nungarrayi tidied the earth’s ancient pain. The oaks sang of patience, the elders stood near, Their ochre-lit eyes guiding young kangaroo’s fear. But dawn brought a shadow, a roar cold as stone, A machine’s cruel hunger tore flesh from the bone. Napangardi fell, her spirit took flight, To the ancestors’ campfire in the starwoven night.
Chorus: Oh, Jampijinpa, with bounds swift and free, Carry the law of your country’s decree. Through sand and through sorrow, your spirit will roam, In the Tanami’s dreaming, you’ll always find home.
Alone, he wandered, his heart like a stone, The sand stung his eyes, and the silence did moan. But Japangardi rose, scales gleaming bright, “You’re never lost, son, in the Jukurrpa’s light.” The bilby taught digging, the oak whispered peace, Nungarrayi scratched paths where the stories increase. Jangala’s yips brought a laugh to the blaze, And Jampijinpa grew strong through the desert’s hard days. Then Nakamarra, with dawn in her gaze, Danced by his side through the sandhills’ soft maze. But fire returned, born of shadow’s old sin, Yet Jampijinpa led kin to the soakage within.
Chorus: Oh, Jampijinpa, with bounds swift and free, Carry the law of your country’s decree. Through sand and through sorrow, your spirit will roam, In the Tanami’s dreaming, you’ll always find home.
Atop the red dune, his shadow stretched far, A keeper of law ‘neath the desert’s bright star. The elders now sing from their camp in the sky, And Jampijinpa’s tracks never fade, never die.
Final Chorus: Oh, Jampijinpa, your story’s been spun, A thread in the Jukurrpa, forever begun. The Tanami dreams, and its stars softly call, For the kangaroo’s heart that will never grow small.
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