1 Praise the Lord. > Sing to the Lord a new song, > his praise in the assembly of his faithful people. > > 2 Let Israel rejoice in their Maker; > let the people of Zion be glad in their King. > > 3 Let them praise his name with dancing > and make music to him with timbrel and harp. > > 4 For the Lord takes delight in his people; > he crowns the humble with victory. > > 5 Let his faithful people rejoice in this honor > and sing for joy on their beds. > > 6 May the praise of God be in their mouths > and a double-edged sword in their hands, > > 7 to inflict vengeance on the nations > and punishment on the peoples, > > 8 to bind their kings with fetters, > their nobles with shackles of iron, > > 9 to carry out the sentence written against them— > this is the glory of all his faithful people. > Praise the Lord. This psalm is anonymous, with no attributed author like David (common in earlier psalms), and is part of Book V of the Psalter (Psalms 107–150), which largely reflects themes of restoration and thanksgiving after exile. Scholars suggest it was composed in the post-exilic period, possibly after the return from Babylonian captivity around the 5th–4th century BCE, when Israel celebrated victories over oppressors and renewed national identity. Some interpretations link it to specific historical events, such as the Maccabean revolt (2nd century BCE) against Hellenistic rulers, where God's people wielded literal and spiritual "swords" for liberation. The psalm's dual tone—joyful praise combined with militant judgment—reflects a theocratic worldview where God's faithful execute divine justice on nations, possibly echoing earlier conquests like those under David or the establishment of Zion as a stronghold. ### Meaning of Psalm 149:4 The verse itself—"For the Lord takes delight in his people; he crowns the humble with victory"—serves as the theological pivot of the psalm, explaining why praise is due. - **"The Lord takes delight in his people"**: The Hebrew word for "delight" (rāṣâ) implies complacency, satisfaction, or pleasure—not mere tolerance, but active enjoyment and favor. This portrays God as finding joy in His covenant people (Israel), viewing them through a lens of grace rather than their flaws. In a broader sense, it underscores God's relational nature: He is not distant but intimately pleased with those who are faithful, much like a parent delighting in their child. Christian interpretations often extend this to believers in Christ, where God's pleasure is rooted in redemption. - **"He crowns the humble with victory"**: Here, "crowns" (pāʾar) means to adorn or beautify, often translated as "beautifies the meek with salvation" in other versions like the KJV. The "humble" (or "meek/afflicted") refers to those who are lowly, oppressed, or reliant on God, contrasting with the proud nations mentioned later in the psalm. "Victory" (yᵉšûʿâ) implies salvation, deliverance, or triumph, not necessarily military but holistic—spiritual, emotional, and communal. This promise encourages the marginalized, assuring that God elevates them, turning humiliation into honor. Overall, the verse motivates worship by highlighting God's affectionate sovereignty: He delights in the faithful and equips the humble for success, framing praise as a response to divine favor amid suffering or opposition. ### History of Psalm 149:4 Historically, Psalm 149 has been integral to Jewish liturgy, recited in daily morning prayers (Pesukei Dezimra) and during festivals like Hanukkah, emphasizing themes of deliverance. Verse 4, in particular, has inspired interpretations across eras: - **Ancient and Medieval Periods**: In rabbinic tradition, it was seen as a post-exilic hymn celebrating the rebuilding of the Temple and victory over enemies, with the "humble" symbolizing the pious remnant of Israel. Early Christian fathers like Augustine viewed it allegorically, with the "two-edged sword" (v. 6) representing Scripture, and God's delight extending to the Church as the new Israel. - **Reformation and Modern Era**: Reformers like John Calvin emphasized its call to humble reliance on God for salvation, influencing Protestant hymns and sermons on divine favor. In the 20th–21st centuries, it has been applied to themes of social justice, where the "humble" are the oppressed, and "victory" is liberation (e.g., in liberation theology). Sermons and devotionals, such as those by Chuck Smith in the 1970s–2010s, focus on pleasing God through faithfulness, using the verse to encourage personal spirituality amid trials. The verse's tense—often debated as present or gnomic (timeless truth)—has led to discussions on its applicability, with most seeing it as an ongoing reality of God's character. Today, it appears in contemporary worship songs and blogs, illustrating joy in worship and God's bias toward the humble. https://rumble.com/v6xc75g-crowned-in-victory-pssalm-1494.html">
Beloved, as we lift our voices in praise, remember: The Lord crowns the humble with victory—not just in ancient psalms or distant stories, but in our lives today. In this season of renewed hope and leadership triumphs, let's act on His favor. Commit now: Humble your heart before God, pray for our nation's peace and the afflicted worldwide, and share this song with someone who's facing giants. Rise in faith—declare His delight over you, and step into the victory He's prepared. Amen. #CrownedWithVictory #Psalm149
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(Verse 1 – Soft, building instrumentation, evoking God's intimate delight, Hillsong-style acoustic guitar and piano)
In the quiet of the dawn, You see us, Lord,
Your people, broken yet beloved, in Your sight adored.
From ancient psalms we sing, Your favor never fades,
You take delight in the humble, in the paths we've made.
Like Israel restored, from exile's chains set free,
You lift the lowly hearts, and crown them royally.
*(Chorus – Uplifting, repetitive, with rising vocals and drums, ...
Jingle bell, jingle bell, jingle bell rock
Jingle bells swing and jingle bells ring
Snowin' and blowin' up bushels of fun
Now the jingle hop has begun
Jingle bell, jingle bell, jingle bell rock
Jingle bells chime in jingle bell time
Dancin' and prancin' in Jingle Bell Square
In the frosty air
What a bright time, it's the right time
To rock the night away
Jingle bell time is a swell time
To go glidin' in a one-horse sleigh
Giddy-up jingle horse, pick up your feet
Jingle around the clock
Mix and a-mingle in the jinglin' feet
That's the jingle bell rock
Jingle bell, jingle bell, jingle bell rock
Jingle bell chime in jingle bell time
Dancin' and prancin' in Jingle Bell Square
In the frosty air
What a bright time, it's the right time
To rock the night away
Jingle bell time is a swell time
To go glidin' in a one-horse sleigh
Giddy-up jingle horse, pick up your feet
Jingle around the clock
Mix and a-mingle in the jinglin' feet
That's the jingle bell
That's the jingle bell
That's the jingle...
David Daniel Ball calls himself the Conservative Voice.
I'm a teacher with three decades experience teaching math to high school kids.I also work with first graders and kids in between first grade and high school. I know the legends of why Hypatia's dad is remembered through his contribution to Math theory. And I know the legend of why followers of Godel had thought he had disproved God's existence.
I'm not a preacher, but I am a Christian who has written over 28 books all of which include some reference to my faith. Twelve blog books on world history and current affairs, detailing world events , births and marriages on each day of the year, organised by month. Twelve books on the background to and history of Bible Quotes. One Bible quote per day for a year. An intro to a science fiction series I'm planning, post apocalyptic cyber punk. An autobiography with short story collections.
I'm known in Australia for my failure as a whistleblower over the negligence death of a school boy. ...
This story is autobiographical. I met God in a dream before I knew Him.
I'll include story, song and bits and pieces I used to make it visual, with thanks to Grok, Suno, Animaker and my friend, for her encouragement.
Two Dreams That Changed Everything
It was February 14, 1978. I was living with my family in a long, low ranch house at 101 Winant Road in Princeton, New Jersey. The house stretched out with basements at each end—one near the driveway, the other deeper in the back. That evening, my grandmother, my older sister, my brother, and I had traveled by train and taxi to New York City's Albert Einstein Hospital where my younger sister, Pam was. Pam's body had rejected the kidney transplant. We were there to say goodbye to her as she lay unconcious.
I returned home late, around 11:30 p.m., exhausted and numb. The house felt too quiet. As I headed down to the basement near the driveway to turn off a forgotten light, my hand caught on something sharp—a small splinter embedded near the ...
Thanks to Mark, Eric and Dan for making this possible. I'm not saying they endorse it. It is a book. I took 50 Fairy Tales and Transliterated them into a Warlpiri Context set in the Dreamtime in the Tanami Desert. Warlpiri is an Australian Aboriginal language based mainly in Northern Territory. It has about 3000 speakers today who are bilingual English. I'm not giving you traditional Dreamtime stories as they are sacred, used for ceremony. Instead, I have these 50 items.
Dreamtime, or Jukurrpa is the oral history of Warlpiri extending back tens of thousands of years, predating farming. So there were challenges in making these stories in cultural terms. Eg, in the Frog Prince, the girl kisses a frog. No self respecting Jukurrpa Karnta would do that to her Yapa. Instead, the lizard (cane toads are imports) would accompany her for a meal with her folks several times. And he becomes a worthy prince. Sorry Harry.
https://www.amazon.com.au/dp/B0GH8K3M6J?ref=ppx_yo2ov_dt_b_fed_asin_title...
https://rumble.com/v7462v6-first-cricket-test-blues-15-19th-march-1877.html
Imagine a time in 1877 when cricket was already a beloved sport in England, but a bold new chapter began on the other side of the world. An English team sailed across the oceans to Australia, where they faced a local side at the grand Melbourne Cricket Ground. This wasn't just any game—it was the very first official Test match, a multi-day battle of skill, strategy, and endurance played over several days on a dusty pitch under the colonial sun. Players wore classic Victorian whites, crowds gathered in excitement, and the match featured pioneering moments that would shape the sport forever. It marked the start of an epic international rivalry between England and Australia, full of drama, tradition, and passion that still captivates fans today.
Here are some evocative vintage illustrations capturing the spirit of that historic 1877 encounter:
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Cricket enthusiasts, ...