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A sermon in Lajamanu on Parable of Lost Son

1 John 1:9 (NKJV) “If we confess our sins, He is faithful and just to forgive us our sins and to cleanse us from all unrighteousness.”

Psalm 51:10 (NKJV) “Create in me a clean heart, O God, And renew a steadfast spirit within me.”

Luke 15:11-32 (NKJV) – The Parable of the Lost Son (the heart of Luke 15, which also includes the parables of the Lost Sheep and Lost Coin)

Then He said: “A certain man had two sons. And the younger of them said to his father, ‘Father, give me the portion of goods that falls to me.’ So he divided to them his livelihood. And not many days after, the younger son gathered all together, journeyed to a far country, and there wasted his possessions with prodigal living. But when he had spent all, there arose a severe famine in that land, and he began to be in want. Then he went and joined himself to a citizen of that country, and he sent him into his fields to feed swine. And he would gladly have filled his stomach with the pods that the swine ate, and no one gave him anything.

“But when he came to himself, he said, ‘How many of my father’s hired servants have bread enough and to spare, and I perish with hunger! I will arise and go to my father, and will say to him, “Father, I have sinned against heaven and before you, and I am no longer worthy to be called your son. Make me like one of your hired servants.”’

“And he arose and came to his father. But when he was still a long way off, his father saw him and had compassion, and ran and fell on his neck and kissed him. And the son said to him, ‘Father, I have sinned against heaven and in your sight, and am no longer worthy to be called your son.’

“But the father said to his servants, ‘Bring out the best robe and put it on him, and put a ring on his hand and sandals on his feet. And bring the fatted calf here and kill it, and let us eat and be merry; for this my son was dead and is alive again; he was lost and is found.’ And they began to be merry.

“Now his older son was in the field. And as he came and drew near to the house, he heard music and dancing. So he called one of the servants and asked what these things meant. And he said to him, ‘Your brother has come, and because he has received him safe and sound, your father has killed the fatted calf.’

“But he was angry and would not go in. Therefore his father came out and pleaded with him. So he answered and said to his father, ‘Lo, these many years I have been serving you; I never transgressed your commandment at any time; and yet you never gave me a young goat, that I might make merry with my friends. But as soon as this son of yours came, who has devoured your livelihood with harlots, you killed the fatted calf for him.’

“And he said to him, ‘Son, you are always with me, and all that I have is yours. It was right that we should make merry and be glad, for your brother was dead and is alive again, and was lost and is found.’”

Homily: The Running Father and the Grace That Heals the Jealous Heart

Dear friends in Christ,

Today we stand before one of the most tender pictures of God’s love in all of Scripture—the Parable of the Prodigal Son in Luke 15. It is a story not just about a wayward boy who comes home, but about a father whose love is so extravagant that it shatters every expectation of dignity and fairness. And it is a story that speaks directly into our own broken families, our long-held resentments, and the surprising grace that sets us free.

Look again at verse 20: “But when he was still a long way off, his father saw him and had compassion, and ran…” In the culture of Jesus’ day, that single action was shocking. A respected older man—head of the household—never ran. To run, he had to hitch up his long robes and expose his legs, an act of public humiliation and shame. Yet this father did exactly that. He exposed himself, sprinting down the road in undignified haste, not because he was weak, but because his love was fierce. He ran to reach his son before the village could greet the returning prodigal with the kezazah ceremony—the ritual of breaking pottery and declaring the son cut off forever. The father took the shame upon himself so his boy would not have to bear it. That is the heart of our heavenly Father. He runs toward us in our mess, embracing us before we can even finish our confession.

The younger son had squandered everything in wild living. But the older son stayed home. He worked the fields, kept the rules, and lived legally right. When the party began for his returning brother, jealousy boiled over: “Lo, these many years I have been serving you… yet you never gave me a young goat… but as soon as this son of yours came… you killed the fatted calf for him!” (vv. 29-30). The older brother had no right to be jealous—his father’s love was never scarce, and “all that I have is yours” (v. 31). Yet his resentment was real. He had done everything “right,” while his brother had run wild. The older son’s faithfulness had turned into bitterness because he forgot that grace is not earned—it is given.

I want to share a story that belongs to one of us here—our brother David Ball. David knows the older son’s heart intimately. He grew up in a dysfunctional family marked by deep pain. His father was a great man in many ways, yet the home was fractured. David lost his sister—his father’s daughter—to kidney disease. The marriage to David’s mother ended in a messy divorce. While David’s other siblings ran wild like the prodigal, he stayed the course, living responsibly. But he and his father never got along. The estrangement grew until it became permanent on December 9, 2009, the day his father died. The rift was never healed on this side of eternity.

David could have stayed locked in that resentment. Many do. But here is the miracle of the gospel: David identifies with the older brother who was jealous, yet he is glad—deeply glad—for God’s love. That same love that moved the father to run and expose himself has given David the grace to forgive his father. Through confession and the cleansing blood of Christ (1 John 1:9), David has prayed the prayer of the psalmist: “Create in me a clean heart, O God, and renew a steadfast spirit within me” (Psalm 51:10). The jealousy has been replaced by peace. The wound has become a witness.

Beloved, whether you see yourself in the younger son who ran away or the older son who stayed and struggled with resentment, the Father is running toward you today. He is not waiting for you to fix yourself. He is not keeping score. His love is lavish, undignified, and relentless. He exposes His own heart on the cross so that you can come home.

So come. Confess. Receive the clean heart and the steadfast spirit. And then, like David, extend that same forgiveness to those who have hurt you. The party is already prepared—the fatted calf is on the table. Your Father says, “It was right that we should make merry and be glad, for your brother was dead and is alive again, and was lost and is found.”

In the name of the Father who runs, the Son who reconciles, and the Spirit who renews—amen.

Visual Prompt for Grok Imagine (or similar AI image generator):

"Create a wide horizontal three-panel banner illustration in a vibrant, realistic biblical art style with warm golden-hour lighting, rich earthy tones, and dramatic emotional storytelling, evoking classic religious paintings like those of Rembrandt but with modern clarity and detail. The banner is divided into three distinct vertical panels with subtle ornate borders resembling ancient scrolls or temple carvings, set against a textured parchment or stone background. Title the overall banner in elegant serif lettering at the top: 'The Prodigal Son – Luke 15'.

Left Panel (First Century Jewish Family Home): A defiant young Jewish man in his late teens, wearing a simple tunic and head covering typical of 1st-century Judea, stands angrily before his elderly father in a modest stone courtyard home with olive trees and distant hills. The son gestures demandingly with an outstretched hand, holding a small bag, his face contorted in rebellion as he demands his inheritance and threatens to leave forever. The father looks sorrowful and reluctant, holding a small chest of coins, with a concerned older brother visible in the background. Warm afternoon light, dusty atmosphere, emotional tension.

Middle Panel (The Pig Sty – Months Later): The same young man, now ragged, dirty, and exhausted, slumps in despair amid a filthy pig sty in a far country. He is barefoot, clothes torn and soiled, surrounded by muddy pigs eating pods from a trough. His face shows deep regret and hunger, skin sunburned, hair disheveled. Bleak, desolate landscape with barren fields and a distant village under an overcast sky, conveying famine, shame, and rock-bottom desperation. Muted, cool, somber colors.

Right Panel (The Joyful Return): The repentant son, still in rags but with a hopeful expression, approaches from afar on a dusty road. His elderly father, filled with compassion, joyfully runs toward him with arms wide open, robes hiked up undignified as he sprints (exposing his legs in a culturally shocking act of love). The father’s face beams with tears of joy and unconditional love. In the background, servants prepare a robe, ring, and sandals near a home with a fatted calf being prepared for a feast. Golden sunset light bathes the reunion in warmth and hope, symbolizing forgiveness and restoration.

Highly detailed faces with strong emotion, historically accurate 1st-century Jewish clothing and architecture, cinematic composition, epic scale, uplifting and moving overall mood, 16:9 wide aspect ratio for a banner, sharp focus, masterpiece quality."

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November 27, 2022
Jingle Bell Rock

Jingle bell, jingle bell, jingle bell rock
Jingle bells swing and jingle bells ring
Snowin' and blowin' up bushels of fun
Now the jingle hop has begun

Jingle bell, jingle bell, jingle bell rock
Jingle bells chime in jingle bell time
Dancin' and prancin' in Jingle Bell Square
In the frosty air

What a bright time, it's the right time
To rock the night away
Jingle bell time is a swell time
To go glidin' in a one-horse sleigh

Giddy-up jingle horse, pick up your feet
Jingle around the clock
Mix and a-mingle in the jinglin' feet
That's the jingle bell rock

Jingle bell, jingle bell, jingle bell rock
Jingle bell chime in jingle bell time
Dancin' and prancin' in Jingle Bell Square
In the frosty air

What a bright time, it's the right time
To rock the night away
Jingle bell time is a swell time
To go glidin' in a one-horse sleigh

Giddy-up jingle horse, pick up your feet
Jingle around the clock
Mix and a-mingle in the jinglin' feet
That's the jingle bell
That's the jingle bell
That's the jingle...

00:02:04
September 01, 2021
Intro to Locals for the Conservative Voice

David Daniel Ball calls himself the Conservative Voice.

I'm a teacher with three decades experience teaching math to high school kids.I also work with first graders and kids in between first grade and high school. I know the legends of why Hypatia's dad is remembered through his contribution to Math theory. And I know the legend of why followers of Godel had thought he had disproved God's existence.

I'm not a preacher, but I am a Christian who has written over 28 books all of which include some reference to my faith. Twelve blog books on world history and current affairs, detailing world events , births and marriages on each day of the year, organised by month. Twelve books on the background to and history of Bible Quotes. One Bible quote per day for a year. An intro to a science fiction series I'm planning, post apocalyptic cyber punk. An autobiography with short story collections.

I'm known in Australia for my failure as a whistleblower over the negligence death of a school boy. ...

00:01:50
How historical bigotry led to the creation of the Protocols of the Elders of Zion

In the dying years of Tsarist Russia, around 1900–1903, antisemitism was not a fringe prejudice but a state-tolerated weapon and popular scapegoat. Jews were confined to the Pale of Settlement, barred from most rural land ownership by the 1882 May Laws, and subjected to university quotas, expulsions, and periodic mob violence. The 1881–1884 pogroms—sparked by the assassination of Alexander II and fueled by rumors of Jewish conspiracy—killed dozens and destroyed thousands of homes. A second wave loomed, including the deadly Kishinev pogrom of April 1903. Across Europe, older religious hatreds had morphed into modern racial antisemitism: Jews were portrayed not merely as Christ-killers or usurers but as an unassimilable “alien race” undermining nations through finance, revolution, and the press. Pseudoscientific theories and nationalist fervor provided intellectual cover. This toxic soil produced one of history’s most enduring forgeries.

The Protocols of the Elders of Zion emerged ...

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What peace with Iran entails

Since the 1979 Iranian Revolution that established the Islamic Republic, the regime has been accused by the US, Israel, European governments, human rights organizations, and courts of systematic domestic atrocities, state-sponsored terrorism, proxy warfare, and a covert nuclear weapons program. These actions span nearly five decades and form the core legacy any US administration—including one seeking “peace”—must weigh. Iran denies most allegations, framing them as resistance to imperialism or self-defense, but intelligence assessments, UN/IAEA reports, court rulings, and survivor accounts paint a consistent pattern of aggression, repression, and bad-faith diplomacy.

Domestic Atrocities and Repression

The regime has prioritized internal control through mass executions, torture, and brutal crackdowns on dissent, often targeting political opponents, women, minorities, and protesters.

Early post-revolution purges (1980s): After the revolution, thousands of officials from the Shah’s era, leftists, and others were ...

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Beating Heart Video

I just finished my Big Heart video Beating Heart. My series is about a 15 yo Vietnamese Australian boy who is thinking of leaving school to deal drugs. Meanwhile, his love interest is a guardian angel. She can't help him directly, but she manipulates him by dying, and forcing him into desperate maneuvers to right himself. NSFW.

Big Heart, by David Daniel Ball
Beating Heart
Friday Afternoon
It was Friday, school had finished and while we hadn't exactly left school together, we were walking our separate ways, together.

He is very fat, even for a teacher. His belly went as far forward as it did to each side, the effect was to make him appear as a tennis ball with arms, legs and a head. He spoke in a clear tenor's voice. He asked lots of questions, but also volunteered a lot about himself. I thought he was kind, and useless to me. He meant well, but he knew only about his world and only guessed about mine.

Around us and at a discreet distance, other kids walked their separate ways. I wouldn't walk with them and they wouldn't walk with me. Some were older, and they were ahead ...

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Mystery of Webster's Curse Background
Story to Video

I first told this to a class, making it up, no notes, spoken as narrator. I went home and wrote it down. 2002. I was 35 years old, friendless, under siege from pedophiles and child killers, soon to lose my job, my home, everything I treasured. 

The fiction, horror story was autobiographical. A sister in my dysfunctional family died from kidney disease and renal failure following a transplant, on Valentines Day 1978. A pet dog had saved our family from a house fire, but later died after a traffic accident when no one had wanted to walk it. I had visited the Amityville House. We had had a neighbour, Mrs Webster, who would look at our backyard and complain about our dog doing its' business there. Chris, Joff, Big and Arthur were real too. Big liked ant farms. Chris and Arthur shared music and guitar play. I would tell them the truth and they would not listen. I drew on real events and twisted them to narrate the story, to keep direction for focus. 

The start of the story with Webster throwing stones, calling out etc, echoes the narrator's experience of being cursed, wanting to warn others, and throwing stones and calling out. Webster and the Narrator die in a comfortable armchair looking for resolution and finding only horror. The new family was to be the Amityville Horror family. This is a prequel. 

https://oddballsstories.blogspot.com/2007/12/mystery-of-websters-curse-heroism-of.html

My first video attempts I sourced pictures from the Internet, but it was too disjointed. I got a Disney animator to do some art for me. But I had no money to complete my project. 

Recently, I've been working with Suno and Grok AI and they allowed me to do the work I've done. I've spent two weeks on this, and could do better with transitions and effects. I will put the better effort into the sequel, the Ballad of Mytzi the Puppy. 

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As for the stone throwing, the actual story is my dad was very angry with me and wanted to drive me to school on his way to work. He vented as he drove. When I was to leave the car he punched me on the face, giving me a black eye. He apologised, saying he meant to hit my chest and not leave a mark. He was very concerned I might tell people he hit me. I assured him I wouldn't. A nurse asked me about the eye. I said I injured it playing Ball. To this day, nobody knows the joke. I had been in first grade. 

I welcome feedback. 

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Ballad of Jampijinpa: A Warlpiri Dreamtime Bambi in the Tanami Desert
improved marketing on Rumble
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Journey to the Tanami Desert with the Ballad of Jampijinpa, a Warlpiri Jukurrpa retelling of Bambi. Follow Jampijinpa, a young red kangaroo, as he learns the sacred laws of his Country from Napangardi, faces dangers like the machine’s shadow, and rises as a leader under the Seven Sisters’ stars. This Dreamtime story celebrates Warlpiri culture, resilience, and connection to the land. Comment your favorite Indigenous story below! Subscribe for more Warlpiri tales and join my Locals for exclusive Jukurrpa insights.
The story of Bambi is, for many, their first encounter with profound loss. Writing this story in Warlpiri Dreamtime, Tanami Desert context. Loss is part of life, yet life goes on. But, a good life, serving the community is also important. How do Indigenous stories like Jampijinpa’s inspire you?
 
Notes on the Adaptation: Setting and Characters: The Tanami Desert replaces the forest, with native animals (red kangaroo, dingo, mallee fowl, perentie) as characters, reflecting the local ecology. Warlpiri skin names (Jampijinpa, Napangardi, etc.) root the characters in kinship systems, central to Warlpiri identity. Jukurrpa: The Dreamtime frames the story as a sacred narrative, where loss and growth are part of the land’s law. The “shadow” (a machine) nods to modern intrusions like mining, a real threat in the Tanami, but keeps the story timeless. Themes: Bambi’s coming-of-age becomes a journey of learning country and law, emphasizing Warlpiri values of responsibility and connection. The mother’s death and the fire echo Bambi’s trials but are grounded in desert realities. Cultural Respect: I avoided inventing sacred details or mimicking restricted Warlpiri stories, focusing on universal elements (land, kinship, survival) informed by public Warlpiri narratives, like those shared in art or ethnographies.
 
The Ballad of Jampijinpa In Tanami’s heart where the spinifex sways, ‘Neath the Jukurrpa’s first starlit blaze, The ancestors carved from the red desert’s hand, Young Jampijinpa, to guard sacred land.
Chorus: Oh, Jampijinpa, with bounds swift and free, Carry the law of your country’s decree. Through sand and through sorrow, your spirit will roam, In the Tanami’s dreaming, you’ll always find home.
Napangardi taught him the desert’s old ways, Where soakages shimmer through blistering days. The bilby’s soft tracks led to yams in the ground, And the wind whispered tales when no rain could be found. With Jangala, dingo, he leaped o’er the plain, While Nungarrayi tidied the earth’s ancient pain. The oaks sang of patience, the elders stood near, Their ochre-lit eyes guiding young kangaroo’s fear. But dawn brought a shadow, a roar cold as stone, A machine’s cruel hunger tore flesh from the bone. Napangardi fell, her spirit took flight, To the ancestors’ campfire in the starwoven night.
Chorus: Oh, Jampijinpa, with bounds swift and free, Carry the law of your country’s decree. Through sand and through sorrow, your spirit will roam, In the Tanami’s dreaming, you’ll always find home.
Alone, he wandered, his heart like a stone, The sand stung his eyes, and the silence did moan. But Japangardi rose, scales gleaming bright, “You’re never lost, son, in the Jukurrpa’s light.” The bilby taught digging, the oak whispered peace, Nungarrayi scratched paths where the stories increase. Jangala’s yips brought a laugh to the blaze, And Jampijinpa grew strong through the desert’s hard days. Then Nakamarra, with dawn in her gaze, Danced by his side through the sandhills’ soft maze. But fire returned, born of shadow’s old sin, Yet Jampijinpa led kin to the soakage within.
Chorus: Oh, Jampijinpa, with bounds swift and free, Carry the law of your country’s decree. Through sand and through sorrow, your spirit will roam, In the Tanami’s dreaming, you’ll always find home.
Atop the red dune, his shadow stretched far, A keeper of law ‘neath the desert’s bright star. The elders now sing from their camp in the sky, And Jampijinpa’s tracks never fade, never die.
Final Chorus: Oh, Jampijinpa, your story’s been spun, A thread in the Jukurrpa, forever begun. The Tanami dreams, and its stars softly call, For the kangaroo’s heart that will never grow small.
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