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October 11, 2021
On this day, 11th Oct 2016

Working on local council campaign and a few observations.
I am receiving mail from people desperate for change, but not addressing local council activity. Clearly they are used to being ignored or rejected. That is dysfunctional. One K Wright who self identifies as leftist asked to give a yes or no response on the issue of greyhounds. Music Victoria sent me survey results I have no recollection of participating in. An advocacy group opposing Lyndhurst Tip asked for my support. I also went on my 4km walk which took me to Council and Dandenong Markets and Plaza.

K Wright was very upset with my response on Greyhound racing. He wanted a 'yes or no' reply but did not like mine.
David can you please give us a Yes or No ...
Do you support Greyhound Racing ..
I liked Baird's response to NSW Greyhound racing when the authorities said they could not police it he began to close it. He apparently has decided to not close it after the authorities said they could police it. I won't tolerate corruption. But I like sport. Does that answer your question. Yes or no.
Typical wanna be counselor Poli MP wishy washy crap MATE ....So you do not support Greyhound Racing ......Was the question that hard ...YES OR NO.....You miss out on hundreds of Greyhound supporters VOTES .....Your loss bud and maybe get out and see the World before you think you can help the World ...Get out and get your hands dirty and stop your diatribe rantings because no one is interested in you and your page clearly tells a tail .....lol .....Good luck ....and you cannot even give us a decent picture of yourself on your page so that suggest ...WHAT to u ....

Music Victoria wrote
Music Victoria was heartened by the overwhelming support for music from candidates, which included:

77% said they would undertake a music audit of their local music community
85% said they supported a music strategy in their municipality
51% said there was NOT adequate funding for music in their municipality
97% of the above candidates said they would support an increase in funding
98% said they would support the increased use of council facilities and buildings for musicians to rehearse, record music and hold all ages events
“Every municipality has a music industry – whether it’s bands, a community choir, teachers or a music store,’’ said Music Victoria CEO Patrick Donovan.

Greater Dandenong has many schools and venues, including Drum Theatre. Music is the lifeblood of culture and community. I fully intend to cut direct funding to non essential services, but I would promote commercial enterprise using facilities and local community developing cultural venues. I think related issues such as public transport vectors and parking are essential to keeping a visit to our local community an enjoyable one. Also waste collection needs to be efficient and cheap.

One pet project of mine is the development of a digital cultural museum. I want council to provide facilities where the local community can create and develop digital media of cultural significance to our diverse peoples. From classical music to contemporary, and in different languages. So that a school child can create a message that could be seen in a home town anywhere in the world.

Communities need facilities. It is an essential service.

From an advocacy group

Dear candidates for REDGUM WARD.
The Lyndhurst tip has been a serious issue for Greater Dandenong residents for many years.
As a candidate in the 2016 local council elections would you please reply your responses by Wednesday 12th October. Your comments may then be included in next weeks local paper.

The Lyndhurst Hazardous Waste landfill is close to many thousands of residents and workers. Greater Dandenong has a well documented position on the landfill.

Q. 1 Do you support the Councils position on the tip?
Q. 4. What priority do you place on implementing the councils current policy?
Q 2. Are you committed to this tips earliest possible closure?
Q. 3. How will you go about assisting the community so they no longer live so close to this facility?

T Wakelam
on behalf of
Residents Against Toxic waste in the South East Inc RATWISE

I am currently unaware of council's position on the tip. However, there needs to be a tip. It needs to be safe. It should be as cheap as possible. As the tip apparently meets EPO guidelines, what changes need to be made to the EPO to satisfy your constituents? This is not a local government matter, but a state government one. However, if you can find or point to local government matters in Greater Dandenong I am keen to work with your community to make sure you have not only what every Australian deserves, but the best of what we can offer.

I daily visit the voting booth at Dandenong Council and see the others handing out how to vote cards and so on. It is an essential part of the democratic backbone of our nation. I am happy if they are happy. I don't feel the concerns expressed by some are realistic. People want my view on Same Sex marriage or Greyhounds. I am happy to discuss the matters. But there are serious issues that need to be addressed, that can be addressed, and that aren't being addressed. Local Council are involved with planning and they frequently hinder business rather than helping it. I want local business to prosper. I want local business to hire young people and help clean Dandenong streets of crime. To that end, I want businesses to be able to trade when they want to. I want them to have appropriate facilities and public access. It is outrageous that it takes two hours to get to work on Saturday going from Dandenong to Hallam, but a council licensed to operate venue in Hallam, on Abbott st, takes that long using public transport. The venue is open to children and members of the public, but there is no side walk access for kilometres. There is no direct bus. The busses that go past have stops more than a kilometre away. So a teacher going to work might spend four hours going to and from the venue, but maybe only work two hours at the venue.

Another bus route in Keysborough takes a bus through narrow back streets instead of an adjacent main road. The locals have petitioned for change, and contacted the bus company, as have I, but Ventura do not reply. Local businesses have opened but they don't get many clients because there is no parking. It is a planning failure. Crime has increased 30% under the current council.

Yet Green council members campaign against over development.

I suggest Red Gum ward vote for David Daniel Ball. And, after asking your local councillor about their views on Trump, Same Sex Marriage and Greyhounds, try and find out what it is they will do to make garbage collection cheaper and more efficient. Ask how they will make business more profitable. Ask what they will do to help address crime. Ask what they will do to improve public transport issues locally.

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Ballad of Jampijinpa: A Warlpiri Dreamtime Bambi in the Tanami Desert
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Journey to the Tanami Desert with the Ballad of Jampijinpa, a Warlpiri Jukurrpa retelling of Bambi. Follow Jampijinpa, a young red kangaroo, as he learns the sacred laws of his Country from Napangardi, faces dangers like the machine’s shadow, and rises as a leader under the Seven Sisters’ stars. This Dreamtime story celebrates Warlpiri culture, resilience, and connection to the land. Comment your favorite Indigenous story below! Subscribe for more Warlpiri tales and join my Locals for exclusive Jukurrpa insights.
The story of Bambi is, for many, their first encounter with profound loss. Writing this story in Warlpiri Dreamtime, Tanami Desert context. Loss is part of life, yet life goes on. But, a good life, serving the community is also important. How do Indigenous stories like Jampijinpa’s inspire you?
 
Notes on the Adaptation: Setting and Characters: The Tanami Desert replaces the forest, with native animals (red kangaroo, dingo, mallee fowl, perentie) as characters, reflecting the local ecology. Warlpiri skin names (Jampijinpa, Napangardi, etc.) root the characters in kinship systems, central to Warlpiri identity. Jukurrpa: The Dreamtime frames the story as a sacred narrative, where loss and growth are part of the land’s law. The “shadow” (a machine) nods to modern intrusions like mining, a real threat in the Tanami, but keeps the story timeless. Themes: Bambi’s coming-of-age becomes a journey of learning country and law, emphasizing Warlpiri values of responsibility and connection. The mother’s death and the fire echo Bambi’s trials but are grounded in desert realities. Cultural Respect: I avoided inventing sacred details or mimicking restricted Warlpiri stories, focusing on universal elements (land, kinship, survival) informed by public Warlpiri narratives, like those shared in art or ethnographies.
 
The Ballad of Jampijinpa In Tanami’s heart where the spinifex sways, ‘Neath the Jukurrpa’s first starlit blaze, The ancestors carved from the red desert’s hand, Young Jampijinpa, to guard sacred land.
Chorus: Oh, Jampijinpa, with bounds swift and free, Carry the law of your country’s decree. Through sand and through sorrow, your spirit will roam, In the Tanami’s dreaming, you’ll always find home.
Napangardi taught him the desert’s old ways, Where soakages shimmer through blistering days. The bilby’s soft tracks led to yams in the ground, And the wind whispered tales when no rain could be found. With Jangala, dingo, he leaped o’er the plain, While Nungarrayi tidied the earth’s ancient pain. The oaks sang of patience, the elders stood near, Their ochre-lit eyes guiding young kangaroo’s fear. But dawn brought a shadow, a roar cold as stone, A machine’s cruel hunger tore flesh from the bone. Napangardi fell, her spirit took flight, To the ancestors’ campfire in the starwoven night.
Chorus: Oh, Jampijinpa, with bounds swift and free, Carry the law of your country’s decree. Through sand and through sorrow, your spirit will roam, In the Tanami’s dreaming, you’ll always find home.
Alone, he wandered, his heart like a stone, The sand stung his eyes, and the silence did moan. But Japangardi rose, scales gleaming bright, “You’re never lost, son, in the Jukurrpa’s light.” The bilby taught digging, the oak whispered peace, Nungarrayi scratched paths where the stories increase. Jangala’s yips brought a laugh to the blaze, And Jampijinpa grew strong through the desert’s hard days. Then Nakamarra, with dawn in her gaze, Danced by his side through the sandhills’ soft maze. But fire returned, born of shadow’s old sin, Yet Jampijinpa led kin to the soakage within.
Chorus: Oh, Jampijinpa, with bounds swift and free, Carry the law of your country’s decree. Through sand and through sorrow, your spirit will roam, In the Tanami’s dreaming, you’ll always find home.
Atop the red dune, his shadow stretched far, A keeper of law ‘neath the desert’s bright star. The elders now sing from their camp in the sky, And Jampijinpa’s tracks never fade, never die.
Final Chorus: Oh, Jampijinpa, your story’s been spun, A thread in the Jukurrpa, forever begun. The Tanami dreams, and its stars softly call, For the kangaroo’s heart that will never grow small.
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