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October 11, 2021
On this day, 11th Oct 2016

Working on local council campaign and a few observations.
I am receiving mail from people desperate for change, but not addressing local council activity. Clearly they are used to being ignored or rejected. That is dysfunctional. One K Wright who self identifies as leftist asked to give a yes or no response on the issue of greyhounds. Music Victoria sent me survey results I have no recollection of participating in. An advocacy group opposing Lyndhurst Tip asked for my support. I also went on my 4km walk which took me to Council and Dandenong Markets and Plaza.

K Wright was very upset with my response on Greyhound racing. He wanted a 'yes or no' reply but did not like mine.
David can you please give us a Yes or No ...
Do you support Greyhound Racing ..
I liked Baird's response to NSW Greyhound racing when the authorities said they could not police it he began to close it. He apparently has decided to not close it after the authorities said they could police it. I won't tolerate corruption. But I like sport. Does that answer your question. Yes or no.
Typical wanna be counselor Poli MP wishy washy crap MATE ....So you do not support Greyhound Racing ......Was the question that hard ...YES OR NO.....You miss out on hundreds of Greyhound supporters VOTES .....Your loss bud and maybe get out and see the World before you think you can help the World ...Get out and get your hands dirty and stop your diatribe rantings because no one is interested in you and your page clearly tells a tail .....lol .....Good luck ....and you cannot even give us a decent picture of yourself on your page so that suggest ...WHAT to u ....

Music Victoria wrote
Music Victoria was heartened by the overwhelming support for music from candidates, which included:

77% said they would undertake a music audit of their local music community
85% said they supported a music strategy in their municipality
51% said there was NOT adequate funding for music in their municipality
97% of the above candidates said they would support an increase in funding
98% said they would support the increased use of council facilities and buildings for musicians to rehearse, record music and hold all ages events
“Every municipality has a music industry – whether it’s bands, a community choir, teachers or a music store,’’ said Music Victoria CEO Patrick Donovan.

Greater Dandenong has many schools and venues, including Drum Theatre. Music is the lifeblood of culture and community. I fully intend to cut direct funding to non essential services, but I would promote commercial enterprise using facilities and local community developing cultural venues. I think related issues such as public transport vectors and parking are essential to keeping a visit to our local community an enjoyable one. Also waste collection needs to be efficient and cheap.

One pet project of mine is the development of a digital cultural museum. I want council to provide facilities where the local community can create and develop digital media of cultural significance to our diverse peoples. From classical music to contemporary, and in different languages. So that a school child can create a message that could be seen in a home town anywhere in the world.

Communities need facilities. It is an essential service.

From an advocacy group

Dear candidates for REDGUM WARD.
The Lyndhurst tip has been a serious issue for Greater Dandenong residents for many years.
As a candidate in the 2016 local council elections would you please reply your responses by Wednesday 12th October. Your comments may then be included in next weeks local paper.

The Lyndhurst Hazardous Waste landfill is close to many thousands of residents and workers. Greater Dandenong has a well documented position on the landfill.

Q. 1 Do you support the Councils position on the tip?
Q. 4. What priority do you place on implementing the councils current policy?
Q 2. Are you committed to this tips earliest possible closure?
Q. 3. How will you go about assisting the community so they no longer live so close to this facility?

T Wakelam
on behalf of
Residents Against Toxic waste in the South East Inc RATWISE

I am currently unaware of council's position on the tip. However, there needs to be a tip. It needs to be safe. It should be as cheap as possible. As the tip apparently meets EPO guidelines, what changes need to be made to the EPO to satisfy your constituents? This is not a local government matter, but a state government one. However, if you can find or point to local government matters in Greater Dandenong I am keen to work with your community to make sure you have not only what every Australian deserves, but the best of what we can offer.

I daily visit the voting booth at Dandenong Council and see the others handing out how to vote cards and so on. It is an essential part of the democratic backbone of our nation. I am happy if they are happy. I don't feel the concerns expressed by some are realistic. People want my view on Same Sex marriage or Greyhounds. I am happy to discuss the matters. But there are serious issues that need to be addressed, that can be addressed, and that aren't being addressed. Local Council are involved with planning and they frequently hinder business rather than helping it. I want local business to prosper. I want local business to hire young people and help clean Dandenong streets of crime. To that end, I want businesses to be able to trade when they want to. I want them to have appropriate facilities and public access. It is outrageous that it takes two hours to get to work on Saturday going from Dandenong to Hallam, but a council licensed to operate venue in Hallam, on Abbott st, takes that long using public transport. The venue is open to children and members of the public, but there is no side walk access for kilometres. There is no direct bus. The busses that go past have stops more than a kilometre away. So a teacher going to work might spend four hours going to and from the venue, but maybe only work two hours at the venue.

Another bus route in Keysborough takes a bus through narrow back streets instead of an adjacent main road. The locals have petitioned for change, and contacted the bus company, as have I, but Ventura do not reply. Local businesses have opened but they don't get many clients because there is no parking. It is a planning failure. Crime has increased 30% under the current council.

Yet Green council members campaign against over development.

I suggest Red Gum ward vote for David Daniel Ball. And, after asking your local councillor about their views on Trump, Same Sex Marriage and Greyhounds, try and find out what it is they will do to make garbage collection cheaper and more efficient. Ask how they will make business more profitable. Ask what they will do to help address crime. Ask what they will do to improve public transport issues locally.

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00:01:07
November 27, 2022
Jingle Bell Rock

Jingle bell, jingle bell, jingle bell rock
Jingle bells swing and jingle bells ring
Snowin' and blowin' up bushels of fun
Now the jingle hop has begun

Jingle bell, jingle bell, jingle bell rock
Jingle bells chime in jingle bell time
Dancin' and prancin' in Jingle Bell Square
In the frosty air

What a bright time, it's the right time
To rock the night away
Jingle bell time is a swell time
To go glidin' in a one-horse sleigh

Giddy-up jingle horse, pick up your feet
Jingle around the clock
Mix and a-mingle in the jinglin' feet
That's the jingle bell rock

Jingle bell, jingle bell, jingle bell rock
Jingle bell chime in jingle bell time
Dancin' and prancin' in Jingle Bell Square
In the frosty air

What a bright time, it's the right time
To rock the night away
Jingle bell time is a swell time
To go glidin' in a one-horse sleigh

Giddy-up jingle horse, pick up your feet
Jingle around the clock
Mix and a-mingle in the jinglin' feet
That's the jingle bell
That's the jingle bell
That's the jingle...

00:02:04
September 01, 2021
Intro to Locals for the Conservative Voice

David Daniel Ball calls himself the Conservative Voice.

I'm a teacher with three decades experience teaching math to high school kids.I also work with first graders and kids in between first grade and high school. I know the legends of why Hypatia's dad is remembered through his contribution to Math theory. And I know the legend of why followers of Godel had thought he had disproved God's existence.

I'm not a preacher, but I am a Christian who has written over 28 books all of which include some reference to my faith. Twelve blog books on world history and current affairs, detailing world events , births and marriages on each day of the year, organised by month. Twelve books on the background to and history of Bible Quotes. One Bible quote per day for a year. An intro to a science fiction series I'm planning, post apocalyptic cyber punk. An autobiography with short story collections.

I'm known in Australia for my failure as a whistleblower over the negligence death of a school boy. ...

00:01:50
Holiday break is over back to work tonight

Tonight I'll start double posting until I've caught up.

Chinese Space Bio Labs

While Elon Musk is busy landing reusable rockets and building robot swarms on Earth, the CCP has gone full 'Musk but make it bioweapons': they're launching fleets of Starship-inspired rockets crewed by copycat Optimus robots, blasting 'Fau Chi' biolabs straight into Low Earth Orbit.

These gleaming orbital stations, proudly emblazoned with the Chinese characters 福奇 (Fú Qí — sounding suspiciously like 'Fau Chi'), are officially designated as The Science™ Research Facilities. Perfect for safe, ethical gain-of-function experiments on exciting new pathogens like TDS (Trump Derangement Syndrome), 'Last Millennia' nostalgia plagues, and the deadly 'We Are Living in 2026' variant.

The endgame? A billion trusting parents worldwide voluntarily neutering their own children on expert 'Fau Chi' advice from the heavens — because nothing says 'public health' like taking guidance from a floating Chinese biolab with reusable re-entry capabilities.

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Editorial from 2018 for June 9th

Don't give up on hope. Western Civilisation is on the nose of universities in Australia. Sydney University collapsed in 1990, and her upper executive got replaced by ALP managerialists as Keating fought a culture war which the Liberal Party have not effectively engaged. Dame Kramer had been made Chancellor, but the Chancellor's position is not executive at Sydney University. Kramer fought effectively for Western Values, but the University, now, is as partisan left as the ABC is now. Kramer had been a powerful presence in charge of the ABC too. 

In 1990, Sydney University lost her Chancellor and Vice Chancellor. The Chancellor, Hermann David Black, died after a long illness. James Anthony Rowland, a former governor of NSW took the chancellor's position for a few years, before passing it to Kramer in 1991. She held on to 2001. From 1981 to 1990, John Manning Ward was the executive head of Sydney University as Vice Chancellor. He had been writing a trilogy on Australian conservative leaders ...

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Tom Baker's Voice and Presence
How One Doctor Made Every Story Unforgettable

Tom Baker's Voice and Presence: How One Doctor Made Every Story Unforgettable

In Doctor Who, the Doctor has always been a storyteller at heart — a wanderer who turns chaos into meaning. But few incarnations have embodied that gift quite like Tom Baker’s Fourth Doctor. His booming, sonorous voice and magnetic, larger-than-life presence didn’t just deliver lines; they transformed them. Even the most ordinary plot beat or alien exposition became riveting theatre. For seven seasons (1974–1981), Baker didn’t merely play the Doctor — he became the show’s beating heart, its moral compass, its clown, and its crusader all at once.

From Liverpool Monk to Time Lord

Born Thomas Stewart Baker on 20 January 1934 in Liverpool, his early life was anything but ordinary. Raised in a devout Catholic household by a barmaid mother while his sailor father was often away, young Tom left school at 15 to train as a novice monk with the La Mennais Brothers in Jersey and later Shropshire. Six years of monastic discipline gave him a gravitas and vocal presence few actors could match. When faith faded and authority chafed, he left for national service in the Royal Army Medical Corps (Germany), then discovered acting through amateur dramatics. After studying at Rose Bruford College of Speech and Drama, he entered the profession late, working provincial rep and joining the National Theatre in 1968.
His breakthrough came in 1971 as the hypnotic Rasputin in Nicholas and Alexandra — a role that showcased the intense eyes, commanding stature, and rich voice that would soon define an alien Time Lord. Supporting turns followed (The Canterbury Tales, The Golden Voyage of Sinbad), but between jobs he laboured on building sites as a brick hauler. Then, in 1974, while seeking work, he was recommended to Doctor Who producer Barry Letts. The rest is legend.

The Baker Era: Seven Seasons of Wonder, Horror, and Wit

Baker debuted in Robot (broadcast late December 1974), immediately establishing the bohemian wanderer with wild curls, floppy hat, endless multicoloured scarf (a costume serendipity that became iconic), and pockets forever offering jelly babies. His first companions were the fearless journalist Sarah Jane Smith (Elisabeth Sladen, carrying over from Jon Pertwee) and the well-meaning but often out-of-his-depth UNIT surgeon Harry Sullivan (Ian Marter).
Early stories like Genesis of the Daleks revealed Baker’s gift for moral complexity — the Doctor hesitating over genocide, his voice thick with anguish and ethical weight. Under producer Philip Hinchcliffe, seasons 13–14 leaned into gothic horror: mummies in Pyramids of Mars, body horror in The Seeds of Doom, Frankenstein echoes in The Brain of Morbius. Baker’s towering presence and vocal range made the scares land harder; his warmth made the companions’ terror feel personal.
Sarah Jane departed after The Hand of Fear (season 14). Leela (Louise Jameson), the fierce Sevateem warrior, brought raw physicality and culture-clash humour that contrasted beautifully with the Doctor’s eccentric intellect. K9 the tin dog arrived in The Invisible Enemy (season 15), adding loyal comic relief. Leela and K9 eventually stayed behind on Gallifrey after The Invasion of Time.
The Graham Williams years (seasons 15–17) lightened the tone with Douglas Adams as script editor. The Key to Time arc (season 16) paired Baker with Romana (Mary Tamm, later regenerating into Lalla Ward — whom Baker briefly married in real life). Stories like The Pirate Planet and the Paris-set City of Death (one of the highest-rated Doctor Who stories ever, with 16+ million viewers) showcased Baker’s impeccable comic timing and improvisational sparkle. His voice could shift from booming authority to impish delight in a single breath.
Season 18 under John Nathan-Turner grew more sombre and scientific. Adric (Matthew Waterhouse), the mathematically gifted Alzarian youth, joined in Full Circle during the E-Space arc. Nyssa (Sarah Sutton) of Traken and Australian air stewardess Tegan Jovanka (Janet Fielding) completed the final TARDIS crew. Baker’s Doctor grew more melancholy, confronting entropy itself in the haunting finale Logopolis — falling from the Pharos Project radio telescope as the Watcher (his future self) appeared. His last words — “It’s the end… but the moment has been prepared for…” — remain among the most poignant in the show’s history.

Anniversary Echoes

Baker declined a full return for the 20th-anniversary special The Five Doctors (1983), feeling it too soon after leaving. Cleverly, unbroadcast footage from the unfinished Douglas Adams story Shada (punting on the Cam, TARDIS departure) was woven in. He made a limited cameo in the 1993 charity crossover Dimensions in Time.
Most memorably, in the 50th-anniversary episode The Day of the Doctor (2013), Baker appeared uncredited as the Curator — an older gentleman in the National Gallery who has “revisited” his favourite incarnation. The quiet, wise conversation with Matt Smith’s Doctor was pure magic: Baker’s voice still unmistakable, his presence radiating warmth, mischief, and hard-won perspective. It felt like the Doctor himself affirming that some faces — and some eras — are worth returning to.

The Enduring Legacy

Tom Baker’s contributions to Doctor Who are immeasurable. He holds the record for longest-serving lead actor (172 episodes across seven seasons) and turned the Doctor into a 1970s cultural phenomenon. The scarf, the jelly babies, the booming “Would you care for a jelly baby?”, the sudden shifts from clown to avenging angel — these became shorthand for the character itself. His voice, voted one of the most recognisable in Britain, elevated every script. His physical presence — tall, eyes blazing with curiosity or fury — made companions’ journeys feel vital and every threat feel real.
Later, as narrator of Little Britain, voice artist extraordinaire, and prolific Big Finish audio Doctor (continuing adventures for years), Baker kept the magic alive. Recent honours, including an MBE, recognise a lifetime of entertainment that began with a monk’s discipline and a bricklayer’s grit.
In the end, Tom Baker proved that a distinctive voice and commanding presence don’t just tell stories — they make them unforgettable. He gave Doctor Who its most iconic visual and vocal identity, balanced horror with heart, and left a template of eccentric heroism that still echoes through every regeneration. For millions of us who grew up with that scarf flapping in the wind and that voice booming across time and space, Baker is the Doctor — the one who made the universe feel a little bigger, a little stranger, and infinitely more interesting.
Ahhh… excellent.
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The Unsung Architect of Human Destiny
Salt

Salt: The Unsung Architect of Human Destiny

Throughout the grand narrative of mankind, countless forces have sculpted who we are—writing that captured thought, the wheel that conquered distance, gunpowder that redrew empires, and the relentless grind of weather, migration, and invention. From our emergence from water to land, the climb into trees and descent to grasslands, survival in arctic wastes and rugged mountains, to the patient arts of farming, mining, and tool-making, humanity’s story is one of adaptation. Yet amid these “fathers” of civilization, one humble mineral stands as a quiet revolutionary: salt.

Salt has coursed through our veins and history since the dawn of humanity. Early man, scavenging and hunting, drew sodium from meat and natural sources. In Southeast Africa, the robust jaws of “Nutcracker Man” (Paranthropus boisei) speak to diets forged in tough environments—perhaps even hinting at a drive toward salty shores or crustacean-rich waters. Could this craving have sparked early tool use, as hominins cracked shells and foraged along coasts? Over a million years of dietary evolution, salt wasn’t mere seasoning; it was survival fuel, shaping physiology and behavior long before recorded time.

The real transformation came with settlement. As hunter-gatherers turned to agriculture, plant-heavy diets demanded supplementation. Salt stepped forward not just for flavor but as the preserver that tamed spoilage, enabled trade, and sustained growing populations. Some 5,000–7,000 years ago in Europe, prehistoric ingenuity birthed dedicated salt towns. At sites like Poiana Slatinei-Lunca in Romania (as early as ~6050 BCE) and Solnitsata in Bulgaria (~5500–4200 BCE), communities boiled brine from salt springs in pottery, producing this vital commodity on an industrial scale for the time. These were among the earliest urban centers, walled to protect their “white gold,” driving economy, trade, and social organization.

From there, salt’s influence exploded. It preserved fish and meat for Egyptian pharaohs and Roman legions. It funded empires through taxes and monopolies. Roman soldiers received salarium—salt money—giving us the very word “salary.” Salt roads crisscrossed continents, much like the wheel expanded mobility. In China, detailed records of salt production date back millennia; in the Americas and beyond, it underpinned rituals, medicine, and cuisine. Without reliable salt, long voyages, armies on campaign, and stored winter provisions would have faltered. Gunpowder may have conquered battlefields, but salt quietly conquered hunger and scarcity.

Even today, salt binds us to this ancient legacy. It flavors our tables, preserves our food, and powers industries, while debates rage over its health effects in modern abundance. We’ve come far from boiling brine in Neolithic pots or scavenging coastal resources, yet the mineral remains essential—linking our evolutionary past to our global present.

Salt didn’t invent the wheel or pen the first script, but it made those achievements sustainable. It turned fragile surpluses into enduring civilizations. In the pantheon of forces that explain why people are the way we are—resilient, interconnected, inventive—salt deserves its place among the great fathers of mankind. From the African savannas to European saltworks and beyond, it has seasoned not just our food, but the entire human journey. Until today, and into whatever future we boil, mine, or trade next.

What a crystalline thread running through it all.

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Six Great World Series Dominated by Pitchers Before 1920
When Arms, Not Bats, Decided Everything

Six Great World Series Dominated by Pitchers Before 1920: When Arms, Not Bats, Decided Everything

In the Dead Ball era before 1920, baseball belonged to the pitchers. Low-scoring games, spacious parks, scuffed and reused baseballs, and the absence of frequent substitutions made complete games the norm and endurance a virtue. Offense was a grind; one dominant arm could carry a team to glory—or heartbreak. The modern World Series, which began in 1903, produced several classics where individual pitchers or staffs seized control, often deciding series almost single-handedly.
Here are six standout examples featuring (or closely involving) the legendary arms we’ve discussed—Christy Mathewson, Cy Young, Ed Walsh, Grover Cleveland Alexander, and Babe Ruth (in his pitching prime). These performances highlight not just stats, but how these hurlers shaped outcomes through mastery, stamina, and sheer will in an unforgiving era.
1. 1905 World Series: Christy Mathewson’s Triple Shutout Masterpiece (New York Giants 4, Philadelphia Athletics 1)
This remains the gold standard of pitcher-dominated World Series. Every game was a shutout. Christy “Matty” Mathewson, fresh off a Triple Crown season (31 wins, 1.28 ERA), started and completed Games 1, 3, and 5 for the Giants—three complete-game shutouts in six days. He threw 27 innings, allowed just 14 hits and one walk, and surrendered zero runs. His “fadeaway” (screwball-like pitch) baffled the Athletics’ hitters, who managed only four hits in his final start.
Mathewson’s dominance gave the Giants their first World Series title and cemented his reputation as the era’s gentlemanly ace. In a time when teams relied on one or two workhorses, Matty single-handedly tilted the series. His performance is still cited as one of the greatest individual postseason feats ever.
2. 1903 World Series: Cy Young and the Boston Pitching Staff Prevail (Boston Americans 5, Pittsburgh Pirates 3)
The very first modern World Series pitted Cy Young’s Boston Americans against a powerful Pirates squad featuring Honus Wagner. Pitching decided everything. Young went 2-1 with a 1.85 ERA across four appearances (three complete-game starts), including a key 11-2 win in Game 5 where he helped his own cause with a triple. Teammate Bill Dinneen was even more dominant in spots, pitching the clinching shutout in Game 8.
Young, already a veteran workhorse with hundreds of innings under his belt, embodied the era’s iron-man ideal. Boston’s staff outlasted Pirates ace Deacon Phillippe (who started five games due to injuries elsewhere), proving that depth and stamina could overcome star power. This series legitimized the American League and established Young as a postseason winner.
3. 1906 World Series: “Big Ed” Walsh and the “Hitless Wonders” (Chicago White Sox 4, Chicago Cubs 2)
The White Sox hit just .198 as a team yet upset the mighty Cubs thanks to elite pitching, spearheaded by spitball specialist Ed Walsh. In Game 3, Walsh delivered one of the most dominant outings in Series history: a complete-game victory with 12 strikeouts (a record at the time), allowing just two hits after the first inning in a 3-0 or low-scoring win. He struck out at least one batter in every inning.
Walsh’s mastery of the spitball—making the ball dart and drop unpredictably—frustrated the Cubs all series. He pitched multiple games and was the staff ace in an era when one pitcher’s stuff could neutralize even strong lineups. The “Hitless Wonders” nickname became legend because of arms like Walsh’s, showing how pitching could overcome offensive weakness.
4. 1915 World Series: Grover Cleveland Alexander’s Brilliance Amid Red Sox Pitching Dominance (Boston Red Sox 4, Philadelphia Phillies 1)
The Phillies, led by 31-game winner Grover Cleveland “Pete” Alexander, reached their first World Series but fell to a superior Red Sox pitching staff. Alexander started strong, winning at least one complete game and pitching effectively overall despite the loss. His stuff was elite—precise control and movement that made him a Triple Crown threat—but Boston’s rotation (including contributors like Ernie Shore and Dutch Leonard) kept the Phillies’ hitters in check.
Babe Ruth, then a young pitcher/outfielder, appeared only as a pinch-hitter in Game 1 against Alexander. The series underscored pitching’s primacy: even a future great like Alexander couldn’t overcome a deeper staff on the other side. Alexander’s individual excellence in defeat highlighted both his greatness and the brutal margins of Dead Ball baseball.
5. 1916 World Series: Babe Ruth’s Marathon Masterpiece (Boston Red Sox 4, Brooklyn Robins 1)
By 1916, Babe Ruth was already one of the American League’s best left-handed pitchers. In Game 2 against Brooklyn—a 2-1 Red Sox win that remains the longest World Series game ever played at the time—Ruth threw a complete-game 14-inning victory. He allowed just six hits and one run over 14 innings, outdueling Brooklyn’s Sherry Smith in an epic pitchers’ duel.
Ruth’s endurance and poise under pressure helped Boston secure the title. This performance (part of his strong postseason pitching résumé) foreshadowed his later greatness while proving he was already a difference-maker on the mound in the Dead Ball era. His ability to go deep into games was typical of the time but exceptional in execution.
6. 1918 World Series: Babe Ruth’s Scoreless Streak and Dual Threat (Boston Red Sox 4, Chicago Cubs 2)
Ruth’s final great pitching stand came in 1918. He won Game 1 with a 1-0 shutout and returned in Game 4 for another victory. Across the 1916 and 1918 World Series, he threw 29⅔ consecutive scoreless innings—a record that stood until Whitey Ford broke it in 1961. He also contributed with the bat as the Red Sox transitioned him toward the outfield.
In a shortened wartime season, Ruth’s arm (and growing power) helped deliver Boston’s last World Series title until 2004. His versatility embodied the era’s demands: pitchers who could also hit were invaluable. This series marked the end of Ruth’s primary pitching days but cemented his legend as a complete force.
These six World Series capture the essence of pre-1920 baseball: gritty, low-scoring battles where a single pitcher’s dominance—or a staff’s collective excellence—could define legacies. Mathewson’s precision and fadeaway, Young’s workhorse reliability, Walsh’s unhittable spitball, Alexander’s near-perfection even in defeat, and Ruth’s emerging two-way brilliance all shine here. They didn’t just win games; they shaped how we remember the Dead Ball era—as a time when arms ruled and one great performance could echo for generations.
As the Live Ball era dawned with Ruth’s home-run explosion and rule changes favoring offense, these pitchers’ feats became benchmarks of a bygone, pitcher-centric golden age. Their stories remind us that baseball’s greatest drama has always come from the mound.
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